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Mark Twain on ‘idiot’ politicians and our current predicament

Mark Twain on ‘idiot’ politicians and our current predicament

Samuel Langhorne Clemens (1835 to 1910), known by pen name Mark Twain, was an American humorist, satirist, writer and lecturer whose writing indicates he seemed to know what was coming. 

By Mark Twain 
edited by Shelley Fisher Fishkin
San Francisco Chronicle 
15 April 2025

I have often wondered at the condition of things which set aside morality in politics and make possible the election of men whose unfitness is apparent. We have never had a president before who was destitute of self-respect & of respect for his high office; we have had no president before who was not a gentleman; we have had no president before who was intended for a butcher, a dive keeper or a bully, and missed his mission by compulsion of circumstances over which he had no control. 

We are by long odds the most ill-mannered nation, civilized or savage, that exists on the planet today, and our president stands for us like a colossal monument visible from all the ends of the earth. He is fearfully hard and coarse where another gentleman would exhibit kindliness and delicacy. 

He became so expert in duplicity, and so admirably plausible that he couldn’t tell himself when he was lying and when he wasn’t. The most outrageous lies that can be invented will find believers if a man only tells them with all his might. 

He taught them that the only true freedom of thought is to think as the party thinks; that the only true freedom of speech is to speak as the party dictates; that the only righteous toleration is toleration of what the party approves; that patriotism, duty, citizenship, and devotion to country, loyalty to the flag, are all summed up in loyalty to party. Loyalty is a word which has worked vast harm; for it has been made to trick men into being “loyal” to a thousand iniquities.  

It is interesting, wonderfully interesting — the miracles which party-politics can do with a man’s mental and moral make-up. In the interest of party expediency they give solemn pledges, they make solemn compact; in the interest of party expediency, they repudiate them without a blush. They would not dream of committing these strange crimes in private life. 

It is an accepted law of public life that in it, a man may soil his honor in the interest of party expediency — must do it when the party requires it. Where the party leads, they will follow, whether for right and honor, or through blood and dirt and a mush of mutilated morals. Here in our democracy we are cheering a thing which of all things is most  foreign to it & out of place — the delivery of our political conscience into somebody else’s keeping. This is patriotism on the Russian plan. 

Reader, suppose you were an idiot. And suppose you were a member of Congress. But I repeat myself. 

We will not hire a blacksmith who never lifted a sledge. We will not hire a school-teacher who does not know the alphabet. We will not have a man about us in our business life, in any walk of it, low or high, unless he has served an apprenticeship and can prove that he is capable of doing the work he offers to do. We even require a plumber to know something about his business, that he shall at least know which side of a pipe is the inside. But when a representative of ours learns, after long experience, how to conduct the affairs of his office, we discharge him and hire somebody that doesn’t know anything about it.

Those burglars that broke into my house recently are in jail, and if they keep on, they will go to Congress. When a person starts downhill, you could never tell where he’s going to stop.  

People seem to think they are citizens of the Republican Party and that that is patriotism and sufficiently good patriotism. I prefer to be a citizen of the United States.    

My kind of loyalty was loyalty to one’s country, not to its institutions or its officeholders. The country is the real thing, the substantial thing, the eternal thing; it is the thing to watch over, and care for, and be loyal to; institutions are extraneous, they are its mere clothing, and clothing can wear out, become ragged, cease to be comfortable, cease to protect the body from winter, disease and death.  

In this country we have one great privilege which they don’t have in other countries. When a thing gets to be absolutely unbearable the people can rise up and throw it off. That’s the finest asset we’ve got — the ballot box. 

In a monarchy, the king and his family are the country; in a republic it is the common voice of the people. Each of you, for himself, by himself and on his own responsibility, must speak. Each must for himself alone decide what is right and what is wrong, and which course is patriotic and which isn’t.The citizen who thinks he sees that the commonwealth’s political clothes are worn out, and yet holds his peace and does not agitate for a new suit, is disloyal; he is a traitor.

The political and commercial morals of the United States are not merely food for laughter, they are an entire banquet. 

Man is the only animal that blushes. Or needs to.  

Every word of the text printed above was written by Mark Twain in novels, speeches, autobiographical dictations, interviews, letters, posthumously published notebooks, manuscripts and other sources dating from the 1860s through the 1910s. 

Tickets Now on Sale for International Pride Orchestra’s Pride Celebration Concert at Strathmore

Media Contact: 

David Perry / David Perry & Associates, Inc. | (415) 676-7007 | news@davidperry.com

Tickets Now on Sale for International Pride Orchestra’s Pride Celebration Concert at Strathmore

Gay Men’s Chorus of Washington, DC Joins Roster in Solidarity for a Powerful Night of Music, Advocacy, and Pride

22 April 2025 — Washington, D.C.: The International Pride Orchestra (IPO) today announced that tickets are now on sale for its highly anticipated one-night-only Pride Celebration Concert at the Strathmore Music Center in Bethesda, Maryland. Taking place on Thursday, June 5 at 7:30 p.m., the concert features an electrifying lineup of LGBTQ+ artists, with proceeds supporting Whitman-Walker, the D.C.-based healthcare and advocacy organization. 

The International Pride Orchestra unites LGBTQ+ musicians and allies from around the world to present concerts, celebrate community, and raise awareness for organizations that uplift the queer community. They will be joined on stage by the Gay Men’s Chorus of Washington, DC (GMCW), a renowned ensemble that uses the power of music and education to inspire equality, promote justice, and affirm the dignity of all people.

“We are delighted and honored to join the International Pride Orchestra for this historic concert at Strathmore,” said GMCW’s Artistic Director Dr. Thea Kano. “Coming together in a space that uplifts our shared values and celebrates the unifying power of music makes this collaboration especially meaningful during WorldPride, as we honor the strength, resilience, and joy of the LGBTQ+ community.”

Presented as an official part of WorldPride DC and in partnership with Capital Pride Alliance, this landmark performance brings together artists, audiences, and advocates in support of Whitman-Walker. A part of the fabric of D.C. and a national leader in the LGBTQ+ community for more than 50 years, Whitman-Walker provides health and legal services to 20,000 patients each year and conducts lifesaving research focused on HIV, cancer, substance use, and other chronic illnesses.

Dr. Heather Aaron, CEO of Whitman-Walker Health System, and Naseem Shafi, Esq., CEO of Whitman-Walker Health, shared: “We thank the International Pride Orchestra and all the performers for sharing their talents in support of essential health care and lifesaving research. At a time when the services and research we provide to thousands of patients are at risk, it is more important than ever to be visible and united. The arts community has long been a steadfast ally, and we are especially honored to celebrate this ongoing partnership as our amazing city hosts WorldPride.”

The program will be led by a distinguished roster of conductors, including Bonnie AlgerDr. Thea KanoRobert Moody, and IPO founder Michael Roest. Together, they will lead the orchestra and chorus in a concert featuring works by Jennifer Higdon, Aaron Copland, George Gershwin, Clarice Assad, Matthew Felbein, Lynn Ahrens, Pax Ressler, and more.

San Francisco–based drag icon Peaches Christ will take the stage as host, bringing her razor-sharp wit and commanding presence. Featured guest artists include Thorgy Thor, the New York City–based violinist and drag superstar known for her appearances on RuPaul’s Drag Race Season 8, All Stars Season 3, and TLC’s Dragnificent. Also appearing is acclaimed pianist Sara Davis Buechner, a celebrated soloist and passionate advocate for transgender visibility in the arts.

This concert marks the culmination of a weeklong festival filled with rehearsals and community-building events in queer spaces throughout Washington, D.C. At its core, IPO creates spaces where LGBTQ+ musicians can come together, connect, and belong — a spirit that has been central to the orchestra since its very first gathering.

“When IPO first came together in San Francisco two years ago, those first notes were life-changing,” said Luke Spence, General Manager and trumpet player. “For the first time, we could make music as our full, authentic selves. That kind of freedom shouldn’t feel rare — queer people deserve safety and visibility in every space. Today, in a time of rising hostility, IPO returns not just to celebrate, but to shine a spotlight on our community’s resolve.”

Tickets range from $35 to $75, with a portion of proceeds benefiting Whitman-Walker. For full ticketing details and artist updates, visit strathmore.org or internationalprideorchestra.org.

2025 Concert Details:

When: Thursday, June 5 at 7:30 p.m.

Where: Strathmore Music Center, 5301 Tuckerman Lane, North Bethesda, MD

Tickets: $35-75 https://www.strathmore.org/events-tickets/in-the-music-center/international-pride-orchestra-gay-men-s-chorus-of-washington-dc/

Photos & Videos:

https://drive.google.com/drive/folders/1axJKDAA_buqDMP2dGLRHOjhNR35i-RNx?usp=share_link

Immediate Steps After the Pope’s Death

Pope Francis – Jorge Mario Bergoglio: 17 December 1936 – 21 April 2025

Papacy:  13 March 2013 – 21 April 2025

Upon the death of a pope, the Catholic Church initiates a series of time-honored rituals and procedures to honor the deceased pontiff and elect his successor. Here’s an overview of the protocol and timeline:

Immediate Steps After the Pope’s Death

1. Verification of Death: The Camerlengo (currently Cardinal Kevin Farrell) confirms the pope’s death by calling his baptismal name three times.  

2. Destruction of the Fisherman’s Ring: The Camerlengodestroys the “Ring of the Fisherman,” symbolizing the end of the pope’s authority.  

3. Sede Vacante: The period known as sede vacante (“the seat being vacant”) begins, during which the Camerlengo administers the day-to-day affairs of the Vatican.  

Funeral and Mourning Period

Lying in State: The pope’s body lies in state at St. Peter’s Basilica for public viewing, typically for three days.  

Funeral: The funeral is held between the fourth and sixth day after death, often in St. Peter’s Square, and is attended by thousands, including world leaders.  

Novendiales: A nine-day period of mourning, known as novendiales, follows the funeral.  

Election of a New Pope (Conclave)

General Congregations: Cardinals gather for meetings to discuss the needs of the Church and potential candidates.  

Timing: The conclave to elect a new pope begins 15 to 20 days after the pope’s death.  

Eligibility: Only cardinals under the age of 80 are eligible to vote; currently, there are 135 such cardinal electors.  

Conclave Procedure:

• Held in the Sistine Chapel, cardinals are sequestered from the outside world.  

• Voting occurs up to four times daily.  

• A two-thirds majority is required to elect a new pope.  

• Ballots are burned after each voting session; black smoke indicates no decision, while white smoke signals the election of a new pope.  

Announcement: Upon election, the new pope is introduced from the balcony of St. Peter’s Basilica with the proclamation “Habemus Papam” (“We have a pope”), followed by his first blessing.  

Review of “Kaleidoscope” by Isabel Dobarro. Textura April 2025

Review of “Kaleidoscope” by Isabel Dobarro. Textura April 2025

Isabel Dobarro: Kaleidoscope
Grand Piano

Kaleidoscope—an apt title for a panoramic solo piano collection featuring pieces by female composers from the United States, Latin America, Africa, Europe, Asia, and Australia. This richly rewarding and diverse set by Galician pianist Isabel Dobarro fittingly appears on Naxos’s Grand Piano imprint. On the release, she does her part to right historical and contemporary wrongs, specifically the underrepresentation of women composers in yesterday’s and today’s programmes. Among the twelve artists featured are Gabriela Ortiz, Tania León, Caroline Shaw, and Yoko Kanno, each figure the recipient of esteemed awards and honours. Inspirations for their pieces came from equally diverse sources, with Kanno’s Hana Wa Saku, for example, written to honour the victims of Japan’s March 2011 earthquake, and Carolyn Morris’s Blue Ocean drawing on memories of her early years growing up along Australia’s Great Ocean Road.

Such a project is consistent with others undertaken by Dobarro, an award-winning graduate of New York University and currently a professor at the Katarina Gurska Higher Center, President of the European Music Center in Spain. Dividing her time between Madrid and New York City, she’s advocated for the works of Louise Héritte Viardot, Pauline Viardot, and Marianna Martínez and was recently named a ‘Woman to Watch in Culture’ by The Association Mujeres a Seguir. As Patricia Kleinman eloquently states in her foreword, Kaleidoscope represents “a significant stride toward the normalization of the programming of music composed by women and the integration of contemporary non-European music into the 21st-century musical lexicon.”

The journey begins with Nocturne by Bulgaria-born and London-based Dobrinka Tabakova, an incandescent reverie that pulls the listener into the fifty-five-minute release immediately. As she does throughout, Dobarro sensitively tailors her touch to the material to pinpoint its essence. Fiery and declamatory by comparison is Ortiz’s torrential “Estudio 3, homenaje a Jesusa Palancares” (from Estudios entre preludios), the performance this time testifying to the pianist’s virtuosic command. The dramatic contrasts in mood, tempo, and dynamics demonstrated between the opening pieces carry over to others, if not perhaps as extremely. Many of the settings are concise statements lasting from two to three minutes, which lends the recording a travelogue-like character.

From Nkeiru Okoye’s African Sketches comes the haunting “Dusk,” an intimate and melancholy African-folk excursion. A dual Canadian-Jordanian citizen of Bosnian, Palestinian and Syrian heritage, Suad Bushnaq brings her background working in the film composing industry to the expressively romantic Improvisation. Like Bushnaq, Kanno has created a considerable body of music for various live-motion visual media, and the piano version of her Hana Wa Saku pulls at the heartstrings with lyrical tenderness. Whereas the intense energy and rhythmic thrust of León’s “Tumbao” recalls Ortiz’s setting, the expansive Blue Ocean by Melbourne-based Morris revisits the sparkle of Tabakova’s opener. As uplifting is “Very lightly, like a harp” from Water Dance by Karen Tanaka, whose composition studies have taken her to Tokyo, Paris, and Florence. Dobarro honours the memory of Argentinean composer Claudia Montero (1962-2021) with a poignant treatment of Buenos Aires, Despierta y Sueña that evokes with deep longing the South American city. Speaking of evocations, Dobarro closes the release with the world premiere recording of Carme Rodríguez’s Alalá das paisaxes verticais, which the composer created as a musical portrait of the pianist’s home region of Galicia in northwestern Spain.

The recipient of the 2013 Pulitzer Prize in Music and several Grammy Awards, Caroline Shaw has established herself as of one of contemporary music’s major figures, and her mesmerizing, Chopin-influenced Gustave Le Gray (titled after a key figure in French photography of the mid-nineteenth century) shows why. Words in the booklet’s brief Shaw bio, that she tries “to imagine a world of sound that has never been heard before but has always existed,” astutely capture the feeling one has while listening to Gustave Le Gray, that this fourteen-minute piece seems hauntingly familiar despite its having been created in 2012. Dobarro’s exquisite rendering is nuanced, as she carefully calibrates her phrasing, pacing, and touch to maximize the music’s impact. After softly chiming chords cascade during the opening minutes, the interlacing of patterns grows in complexity until, four minutes in, time slows and the work’s most intoxicating motives emerge. Transitions are effected smoothly between contemplative and dance episodes, the whole held seamlessly together by Dobarro’s unerring performance. As consistently strong as the album is in general, it’s the pianist’s rendition of Shaw’s piece that is its undeniable high-water mark.

Windsurf Named Presenting Sponsor of Bay to Breakers 2025

Media contact: David Perry / (415) 676-7007 / news@davidperry.com

Windsurf Named Presenting Sponsor of Bay to Breakers 2025

New Era of Flow and Fun for San Francisco’s Most Iconic Footrace
On Sunday, May 18

17 April 2025, San Francisco, CA: A new wave of innovation is set to sweep across the streets of San Francisco: Bay to Breakers, the city’s most iconic and irreverent footrace, is thrilled to announce Windsurf as the Presenting Sponsor for the 2025 event. This year’s race will proudly bear the title: Bay to Breakers powered by Windsurf, taking place on Sunday, May 18.

Windsurf, a cutting-edge software company built for developers and powered by AI, was born in the Bay Area and shares a deep cultural connection with the race itself. As part of the new partnership, Windsurf aims to bring its signature “flow state” ethos—familiar to both runners and coders alike—to every step of the legendary 12K event.

“One of my favorite moments in the company’s early days was running Bay to Breakers with two other founding team members,” said Varun Mohan, CEO and Co-Founder of Windsurf. “We didn’t train for it. We just showed up and had a great time, and that experience stuck with us. So being part of the race now, as a sponsor, feels like a full-circle moment—one we’re excited to share with others.”

Anshul Ramachandran, Head of Product & Strategy and part of the Founding Team, added: “Bay to Breakers is probably the most representative of what SF is. It’s fun, exciting, and a little chaotic in the best way. Also, we as a company have come up in the Bay Area, out of Silicon Valley, with many of us having run the race before. It’s one of the only events that truly matches the same vibe we bring as a company. So for us, being part of this just makes sense.”

“Windsurf’s energy and vision are a perfect match for the creativity and spirit of Bay to Breakers,” said Phyllis Blanchard of Motiv Sports/Bay to Breakers. “From its roots in the developer community to its AI-powered tools that help people find their flow, Windsurf brings a fresh wave of innovation and authenticity to this time-honored San Francisco tradition.”

As Presenting Sponsor, Windsurf will be fully integrated into all aspects of the race experience, from pre-race communications and social media to on-course branding and exclusive activation zones. Runners can expect to “get their second wind” at the Windsurf Mile and enjoy a series of tech-forward, community-focused engagements throughout race day.

Bay to Breakers is a San Francisco original, known for its spirited race that has been a staple of the city since 1912. It brings together athletes, families, community members, and costume-clad participants for a 12K race from the San Francisco Bay to the breakers on the Pacific Coast. Bay to Breakers is a celebration of life, laughter, and the personality of San Francisco, embodying the city’s inclusive spirit and community engagement. During the annual Bay to Breakers Race, participants of all ages and abilities, and oftentimes in costume, line up on Howard Street a few blocks from The Embarcadero on the third Sunday in May – in 2025, May 18. The course travels west through the City and finishes at the Great Highway, where the breakers crash into Ocean Beach. It truly is a time-honored tradition and the quintessential San Francisco experience.

To learn more about Bay to Breakers or sign up for the fun, visit www.baytobreakers.com. For sponsorship or Corporate Teams information, email Alex Jee at ajee@motivsports.com.

About Windsurf:
Windsurf is a leader in AI-powered coding solutions, offering tools that blend collaborative, continuous AI assistance with developers’ workflows. With a mission to make software creation seamless and joyful, Windsurf helps teams ship faster and smarter with intuitive tools and AI-powered coding assistance. Headquartered in the Bay Area, Windsurf is built by developers, for developers. For more information, visit www.windsurf.com.