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El Humo de América

El Humo de América

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— por David Eugene Perry

21 de agosto de 2025: España está en llamas. Incendios históricos han incinerado incontables hectáreas y cientos de hogares. Mientras conducimos hacia el norte desde nuestra base andaluza en Grazalema, provincia de Cádiz, tomamos una ruta alargada para evitar las llamas.

A mitad de camino, la carretera hacia Santander es amplia y recta. Alrededor, la tierra es llana, rica y fértil. Hace 89 años, la Guerra Civil se desató aquí, iniciada por el golpe de Francisco Franco contra la República Española democráticamente elegida, aunque con problemas. Tres años después, el 1 de abril de 1939, “ganó”. Habían muerto más de un millón. Cinco meses después, justo el mismo día, el amigo del Generalísimo, Hitler, invadió Polonia y comenzó la Segunda Guerra Mundial. Es imposible no conectar ambos hechos: uno un ensayo, el otro una producción plenamente realizada, ambos un asalto a la democracia, la diversidad y la decencia.

Mientras pasamos junto a campos antaño devastados por tanques y artillería, a lo lejos se alza el monumento que Franco construyó a su victoria: El Valle de los Caídos. De escala faraónica y diseño fascista, la inmensa iglesia, monasterio y complejo funerario inaugurado en 1961 es imposible de ignorar desde la carretera. Su cruz de 120 metros de altura y su fachada fortificada permanecen a la vista durante kilómetros. Desde 1975, cuando murió tras 36 años de dictadura, hasta que su cuerpo fue trasladado a un cementerio privado en 2019, Franco yacía bajo una cúpula excavada en la montaña, con frescos de ángeles y tropas nacionalistas ascendiendo al cielo sobre un altar. Ningún serafín republicano aquí, aunque fueron sus trabajos forzados los que lo construyeron.

Junto a “El Caudillo” reposaba durante años José Antonio, fundador de la Falange: el partido fascista español. Cuando Franco fue exhumado, también lo fue José Antonio para ser enterrado en otro lugar. Hubo gran angustia entre los nuevos y aún vivos franquistas, y muchos suspiros de alivio en un nuevo gobierno esperanzado de que —al fin— los fantasmas de la Guerra Civil hubiesen sido a la vez exhumados y exorcizados. Ahora renombrado Valle de Cuelgamuros, el lugar es “oficialmente” un memorial para ambos bandos del conflicto. Sin embargo, en España todos conocen su origen. Yo lo he visitado tres veces: con, sin y después de Franco. Es la fantasía de Albert Speer hecha piedra.

Mientras “El Valle” desaparece en el retrovisor, consulto en mi iPhone los últimos titulares de hace 9 horas: Trump dorando nuevas SUVs del ICE. El dúo de Washington, Miller y Hesgeth, expulsando a “viejos hippies” de Union Station. El Pequeño Marco garabateando un plan de paz para Ucrania en su Etch-a-Sketch antes de que el 47 lo sacuda en la nada. Un enclave totalmente blanco en Arkansas cuya biblioteca guarda Mein Kampf y sin duda también los Protocolos de los Sabios de Sion.

En mi propia zona horaria, El País informa sobre ciudadanos estadounidenses que ahora se apresuran a llegar a las costas ibéricas para huir del autoritarismo errático pero creciente de Trump. La ola de “exilados” aún no es un tsunami, pero sí una marea ascendente. Mejor jurar lealtad a un rey constitucional que a un rey que olvida que lo es. Y sin embargo, no olvidemos: el 47º presidente fue elegido, una prueba de democracia cuyo “pudding” ya se muestra rancio y podrido tras apenas siete meses.

La noche de la elección de Trump en 2016, me volví hacia mi esposo español y le dije: “Es el momento.” Empezamos el proceso de que yo me convirtiera en ciudadano español, aunque en el fondo desestimé mi alarma como teatralidad. Dos elecciones, dos impeachments y tres nuevos jueces del Tribunal Supremo después, ya no veo mi pasaporte español como un gesto dramático. Lo veo como una opción cada vez más deseable: un bote salvavidas que nunca pensé que sería bajado al mar.

¿Cuál será mi punto de quiebre? Ya ha habido tantos: Charlottesville, el 6 de enero, la extorsión a las universidades estadounidenses, la resurrección de líderes confederados y el entierro de la historia negra. El asesinato de la PBS y la censura del Smithsonian. No hay un único punto de quiebre para mí. Simplemente me siento roto al sentir que lo que una vez fue verdadera democracia en Estados Unidos ahora está roto también. Si de alguna manera se anula mi matrimonio, ese será verdaderamente mi nadir. No viviré en un país que revocaría un derecho tan largamente conquistado.

En España, y en Europa, saben reconocer a un dictador cuando lo ven. Aquí no hay ilusiones sobre el camino que Trump está emprendiendo ni sobre su posterior abrazo de la religión y el nacionalismo blanco como herramientas para afianzar su poder. Como opinó Arthur Schlesinger Jr. (historiador y asesor de John F. Kennedy) en 1960 —parafraseando una versión anterior de Sinclair Lewis—: “El peligro es que el fascismo en América llegará no envuelto en esvásticas, sino en nuestra propia bandera y en la cruz.”

Hay una frase española que describe la inclinación posterior a la Guerra Civil de tratar de olvidar su fealdad: “Barre el pasado debajo de la alfombra.”

Desde la Ley de Memoria Democrática de 2022, España ha ido levantando la alfombra y exponiendo décadas de dolor calcificado, poniéndolo en perspectiva. Continúa un desempolvado largamente debido, y el aire es más limpio por ello. Tristemente, mientras miro por encima del hombro la antigua tumba de Franco y nuestra antigua República, el aire está lleno de humo.

David Eugene Perry es autor de la galardonada novela Upon This Rock. Está en España trabajando en su secuela, Thorns of the 15 Roses, cuyos personajes centenarios son sobrevivientes de la Guerra Civil Española.

The Smoke from America

The Smoke from America

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21 August 2025
The Smoke from America
— by David Eugene Perry

Spain is on fire. Historic infernos have incinerated countless hectares and hundreds of homes. As we drive north from our Andalucían base in Grazalema, province of Câdiz, we take an elongated route to avoid the flames.

Midway, the road to Santander is wide and straight. Around the land is flat, rich and fertile. 89 years ago, the Civil War raged here, started by Francisco Franco’s coup against the democratically elected, albeit troubled, Spanish Republic. Three years later, on April 1, 1939, he “won.” Over a million had died. Five months later to the day, El Generalisimo’s pal Hitler invaded Poland and WWII began. It’s impossible not to connect the two: one a rehearsal, the second a fully realized production, both an assault on democracy, diversity and decency. 

As we drive past fields once ravaged by tanks and artillery, in the distance looms the monument Franco built to his victory: El Valle de los Caidos – the Valley of the Fallen. Pharaonic in scale and Fascistic in design, the massive church, monastery and funerary complex inaugurated in 1961 is impossible to miss from the road. Its 400 foot tall cross and fortress like façade stay in our sight for miles. From 1975 when he died after a 36 year dictatorship until his body was moved to a private cemetery in 2019, Franco lay beneath a dome carved out of a mountain, frescoed with angels and nationalist troops ascending to Heaven over an altar. No Republican seraphs here, although their forced labor built it.

Next to “El Caudillo” was for many years the final resting place of Jose Antonio – founder of Falánge: Spain’s Fascist party. When Franco was disinterred, so, too, went Jose Antonio to burial elsewhere. There was much angst from nuevo and still living Franquistas and many sighs of relief from a new government hopeful that – finally – the ghosts of La Guerra Civil had been both exhumed and exorcised. Now renamed El Valle de Cuelgamuros, the site is “officially” a memorial to both sides of the conflict. However, in Spain, everyone knows its nativity. I have visited three times: with, without and moving on from Franco. It’s Albert Speer’s fantasy in stone.

As “El Valle” disappears in our rear view mirror, I iphone the latest headlines from 9 hours in the past: Trump gilding new ICE SUVs. The DC duo of Miller & Hesgeth rousting “old hippies” from Union Station. Little Marco doodling a Ukraine peace plan on his Etcha-Sketch before 47 shakes it into nothingness. An all-white enclave in Arkansas whose library holds “Mein Kampf” and undoubtedly the “Protocols of the Elders of Zion.” 

In my own time zone, “El Pais” reports on US citizens now rushing Iberian shores to escape Trump’s erratic but growing authoritarianism. The wave of “exilados” is not yet a tsunami but is a mounting tide. Better to swear allegiance to a constitutional king than to a king who forgets he has one. And yet least we forget, the 47th president was elected: a proof of democracy whose pudding is already rank and rancid seven months in.

The night of Trump’s 2016 election, I turned to my Spanish husband and said: “It’s time.” We started the process of my becoming a Spanish citizen, even though deep down I poo poohed my alarm as theatricality. Two elections, two impeachments and three new Supreme Court justices later, I no longer see my Spanish passport as dramatics. I see it as an increasingly desirable option: a lifeboat I never thought to be lowered.

What will be my breaking point? There have already been so many: Charlottesville, January 6, extortion of American universities, resurrection of Confederate leaders and burial of Black history. The murder of PBS and censoring of the Smithsonian. There is no one breaking point for me. I merely feel broken as I feel that what was once true US democracy is now itself broken. If my marriage somehow gets annulled, that will truly be the nadir for me. I won’t live in a country that would rescind a right so long in the making. 

In Spain, and in Europe, they know a dictator when they see one. There are no illusions here about the path on which Trump is embarking and its subsequent embrace of religion and white nationalism as tools to further his power grab. As Arthur Schlesinger Jr. (historian and adviser to John F. Kennedy) opined in 1960 — paraphrasing an earlier version by Sinclair Lewis: “The danger is that fascism in America will come draped not in swastikas but in our own flag and the cross.”

There is a famous Spanish phrase that describes the post Civil War penchant for trying to forget its ugliness. “Barre el pasado debajo de la alfombra.” Sweep the past under the carpet.

Since the 2022 Ley de Memoria Democrática (Historical Memory Law), Spain has been peeling back the rug and exposing decades of calcified pain and putting it in perspective. A long overdue dusting continues, and the air is cleaner for it. Sadly, as I look over my shoulder at Franco’s erstwhile tomb and our own erstwhile Republic, the air is full of smoke.

David Eugene Perry is the author of the award winning novel “Upon This Rock”. He is in Spain working on its sequel, “Thorns of the 15 Roses” whose centenarian characters are survivors of the Spanish Civil War.

Michelangelo’s Sistine Chapel Exhibit Labor Day and Other Special Offers. Closes September 14 in SF

Michelangelo’s Sistine Chapel Exhibit Labor Day and Other Special Offers. Closes September 14 in SF

Media Contact: David Perry / David Perry & Associates, Inc.
(415) 676-7007 / news@davidperry.com

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Make this semester start with a masterpiece!

San Francisco’s “Michelangelo’s Sistine Chapel: The Exhibition” 
is the perfect Back-to-School and Family “edu-tainment” experience 
— now open through September 14

Special “Labor Day Monday” open hours: September 1 
— plus limited-time 15% off tickets and 20% rebate for groups of 10+

21 August 2025 – San Francisco, CA – Make the start of the school year unforgettable with an extraordinary cultural experience—no passport required. Michelangelo’s Sistine Chapel: The Exhibition transforms the Cathedral of St. Mary of the Assumption into an up-close journey through Michelangelo’s masterpieces, offering Bay Area students and families a unique way to combine learning with awe. Visitors can wander beneath life-size reproductions of The Creation of AdamThe Last Judgment, and the entire Sistine Chapel ceiling—without the crowds or neck strain of Rome.

And for a limited time, audiences can take advantage of 15% off all tickets. Plus, groups of 10 or more receive a 20% rebate off regular pricing when booked through our group sales team (info@chapelsistine.com).

Education meets awe:

• Curriculum-enhancing visuals: Near-original-scale frescoes let students study brushwork, color, and composition with immediate impact.

• Narrative-driven learning: The free audio guide app enriches understanding of symbolism, history, and Michelangelo’s genius—perfect for younger visitors and curious minds alike.

• Inclusive design: Fully wheelchair and ADA accessible, welcoming all learners and families.

“As an international producer of exhibitions, I’ve seen how powerful art can be in shaping education,” said Martin Biallas, President of SEE Global Entertainment. “When we make learning fun, we open the door for students and families to connect more deeply with culture, history, and each other. That’s exactly what this exhibition is about.”

Stress-free logistics:

• Free onsite parking – easy drop-off and pickup.

• Group-friendly: Perfect for school excursions and organizations. Contact info@chapelsistine.com for group bookings (10+).

Tickets & visitor info:
Michelangelo’s Sistine Chapel: The Exhibition
Cathedral of St. Mary of the Assumption
1111 Gough Street (at Geary), San Francisco, CA

• Hours (now through Sept 14):
Tuesday–Sunday: 10:30 a.m.–5:00 p.m. (last entry 3:30 p.m.)

Special Labor Day Monday (Sept 1): 10:30 a.m.–5:00 p.m. (last entry 3:30 p.m.)
• Ticket pricing (3 tiers):
• Adult: $27 (weekday) / $29 (weekend)
• Senior: $25 (weekday) / $26 (weekend)
• Military/Youth: $19 (every day)

Special offers:
• Limited-time 15% promo currently available (act fast).
• Groups 10+: 20% rebate off regular pricing – email info@chapelsistine.com.

Duration: 60–90 minutes per visit
Accessibility: Fully wheelchair accessible, ADA friendly
Parking: Free onsite parking available
Audio Guide App: Free download with multilingual, age-appropriate explanation.

Michelangelo’s Sistine Chapel: The Exhibition has attracted sold-out audiences in cities across the United States, including Chicago, Minneapolis, Charlotte, Charleston, and Atlanta.

The Cathedral of Saint Mary of the Assumption—known to locals as St. Mary’s Cathedral—is itself an architectural landmark. Built in 1970 after fire destroyed its predecessor, the cathedral incorporates both traditional and modern design and serves as the Mother Church for the Archdiocese of San Francisco.

Produced by Los Angeles–based SEE Global Entertainment, Michelangelo’s Sistine Chapel: The Exhibition holds the exclusive worldwide rights to the fresco reproductions through Bridgeman Images. For more information, visit chapelsistine.com.

Tickets on sale: chapelsistine.com/exhibits/san-francisco/

ABOUT SEE© GLOBAL ENTERTAINMENT:
The SEE© Family of Companies represents the finest in themed entertainment. Working with major Hollywood studios, record companies, sports franchises, and legendary individuals, SEE has become the one source for truly great, expansive entertainment. SEE is led by President Martin Biallas, a Hollywood veteran of 30 years. Visit www.seeglobalentertainment.com and www.martinbiallas.com.

ABOUT ST. MARY’S CATHEDRAL:
The Cathedral of Saint Mary of the Assumption serves as the Mother Church of the Archdiocese of San Francisco, encompassing San Francisco, Marin, and San Mateo counties. Designed by Pietro Belluschi with engineering consultant Pier Luigi Nervi, the cathedral was dedicated in 1971 and is considered a bold expression of post-Vatican II liturgical architecture. Notable works include Richard Lippold’s baldacchino and bronze sculptures by Enrico Manfredi.

Porchfest Nights Closes Out August with Music!

media contact: David Perry & Associates, Inc / (415) 676-7007 / news@davidperry.com

Porchfest Nights Closes Out August with Music!
Wednesday August 27 Features musicians from
Sonoma’s Pardon The Interruption

Exclusive Wednesday Evening Events Set Stage for Second Annual Porchfest Benicia – Saturday, September 13
www.porchfest-benicia.com

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20 August 2025 – Benicia, CA: The dog days of summer are hot with song! The popular Porchfest Nights Wednesday Music Series closes out on August 27 with a duo from Sonoma’s Pardon The Interruption, a band slated to play at Porchfest Benicia. Porchfest Nights takes place at The Escape (4588 East Second Street, Suite E) in Benicia’s Industrial Park. Doors open at 6:00pm; music runs 6:30pm–8:30pm. Tickets are $18 and include a casual artist meet-and-greet. Beer and wine and snacks are available for purchase.

“Pardon the Interruption is the perfect way to wrap up this triple threat series,” says Mary Hand, publisher of Benicia Magazine and the creative spirit behind Porchfest Benicia and Porchfest Nights. “These three Porchfest Nights mini-concerts have been deliciously teasing heavy apps for the main course next month: Porchfest Benicia.”

Roaring out of the fog-shrouded hills of Sonoma and drowning out the chatter, New Wave/Prog-Pop troubadours Pardon the Interruption (aka PTI) are taking their place — asserting their voice — in the storied musical conversation of the San Francisco Bay Area.  One foot is planted firmly in the past paying homage to some of the most singular and iconic artists of the ‘70s, 80s and ‘90s. The other is stepping boldly forward, producing original material that is at once nostalgically familiar while also entirely modern and unique. It’s undeniable fun. It will make you dance. It’s like a perfect pepperoni pizza. It’s Pardon TheInterruption.

Porchfest Benicia 2025 returns on Saturday, September 13 (12pm – 5pm) with more than 40 performances across First Street and historic neighborhoods, from 1:00–5:00pm. Proceeds from Porchfest Nights support the production of Porchfest Benicia 2025. The Rotary Club of Benicia is acting as Porchfest Benicia and Porchfest Nights’ 501(c)(3) partner, so donations accepted are eligible for a tax deduction. Advance and VIP tickets for Porchfest Benicia are on sale now at www.porchfest-benicia.com.  

“Last year’s inaugural event drew thousands of attendees, transforming Benicia into a regional music hot spot,” said Benicia Mayor Steve Young. “It’s more than just a music event – it’s a community experience.”

Porchfest is an annual celebration that began in Ithaca, New York, in 2007, and has since spread across the United States and Canada. It brings together local musicians and community members to showcase their talents on front porches, storefronts, and driveways, promoting a sense of community and pride. Nestled on the Carquinez Strait, Benicia is a city rich in history and culture, known for its vibrant arts scene, historic architecture, and welcoming community. 

Last year’s inaugural Porchfest Benicia attracted more than 10,000 attendees to Benicia’s historic streets to enjoying live performances from over 20 bands from all over the Bay Area as well as local talent. With only one year under its guitar straps, Porchfest Nights and Porchfest Benicia have already become one of the Bay Area’s most anticipated community events.

”Benicia is a perfect match for bringing Porchfest to our area,” Hand sums up. “These musicians, community artists, restauranteurs and barkeeps all represent the best of what the city has to offer, blending music, history, and local flavor into a memorable celebration for all.”

Porchfest Benicia VIP tickets & “Sip Stops” Keep the Music Playing

media contact:  David Perry & Associates, Inc / (415) 676-7007 / news@davidperry.com 

Porchfest Benicia VIP tickets & “Sip Stops” Keep the Music Playing

He was a wise man who invented wine.” – Plato

Porchfest Benicia VIP tickets & “Sip Stops” Keep the Music Playing

Raise a Glass to Music, Community, and Sustainability
“Sip, Savor and Support”
: Saturday, September 13

Over 10,000 Music Lovers Expected for Second Annual Music Fest

19 August 2025 – Benicia, CA: The good folks at Benicia Magazine built it, and indeed, the people came, saw, and danced in the streets. Following the overwhelming success of last year’s Porchfest Benicia (www.porchfest-benicia.com), this year’s event on Saturday, September 13 (12pm – 5pm) features expanded VIP ticket packages and Sip Stops—two essential ways the public can support the free community festival while also enjoying premium perks.

“Porchfest Benicia is free to attend, but it isn’t free to produce,” said Mary Hand, Publisher of Benicia Magazine and creative force behind the festival. “Our VIP tickets and Sip Stops are how we keep the music playing. Every glass poured and every ticket purchased directly supports the artists and makes this magical day possible. Plus, it’s fun! Who doesn’t love a refreshing sip between songs?”

VIP tickets include access to exclusive performances, reserved seating at select venues, and special opportunities to meet headline artists, including the historic Sly & the Family Stone tribute at Lucca Beer Garden.

For those who prefer to roam, Porchfest’s Sip Stops will once again dot downtown Benicia, offering craft beer, and wine tastings in partnership with local businesses and community sponsors.

Last year, Porchfest attracted more than 10,000 visitors, packing the waterfront streets of historic downtown Benicia. Organizers emphasize that VIP ticket sales and Sip Stop revenues are critical to paying artists fairly, expanding kid-friendly programming, and sustaining Porchfest as an annual tradition. VIP tickets are available at the link below: https://www.eventbrite.com/e/porchfest-benicia-2025-vip-tickets-tickets-1439949861799

“This is the model of a true community festival,” said Benicia Mayor Steve Young. “Porchfest is free and open to all, but its sustainability depends on people stepping up and supporting it through VIP tickets and Sip Stops. It’s how we make sure the music and joy continue, not just this year, but for years to come.”

In addition to exclusive seating and access, VIP ticket holders will enjoy three glasses of beer or wine plus a Tequila tasting at First Street Green VIP area, light bites, and special programming leading into the day’s headliner sets.

“Every dollar from VIPs and Sip Stops goes straight back into the music,” said Hand. “It’s how we can afford top-tier artists while also keeping Porchfest open and inclusive for everyone.”

Porchfest is an annual celebration that began in Ithaca, New York, in 2007, and has since spread across the United States and Canada. It brings together local musicians and community members to showcase talents on front porches, storefronts, and driveways, promoting a sense of community pride and inclusion. Nestled on the Carquinez Strait, Benicia is a city rich in history and culture, known for its vibrant arts scene, historic architecture, and warm, welcoming community.

“Sip, savor, and support—that’s our motto for this year’s Porchfest,” Hand sums up. “Raise a glass with us, and you’re helping raise the festival itself.”