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William T. Wiley to be Artist Guest of Honor at The San Francisco Fine Art Fair

Ten Percent

William T. Wiley to be Artist Guest of Honor at The San Francisco Fine Art Fair

May 17–20, 2012, at Fort Mason Center

“A Conversation with William T Wiley” hosted by Art Critic Dewitt Cheng Followed by Reception on Saturday, May 19, 5pm to 7pm

www.sffineartfair.com

8 May 2012 – San Francisco, CA: The San Francisco Fine Art Fair ((www.sffineartfair.com)) at Fort Mason Center’s Festival Pavilion, May 17–20, 2012, salutes William T. Wiley as the Artist Guest of Honor. The Fair presents a Public Installation Retrospective of selected works, titled “Anything Goes: The whit end wizdumb of William T. Wiley,” curated by DeWitt Cheng and presented courtesy of John Berggruen Gallery. An award ceremony and on-stage interview with Wiley and Cheng will take place in the Fair’s Theater on Saturday, May 19, from 5pm to 6pm. The talk will be followed by a reception for the artist in the VIP Lounge from 6pm to 7pm. These events are open to all attendees at the Fair. The San Francisco Fine Art Fair runs from Thursday, May 17, through Sunday, May 20, with preview receptions on Wednesday, May 16 to benefit Yerba Buena Center for the Arts. The 2012 Fair also honors San Francisco arts patron Roselyne “Cissie” Swig with a Lifetime Achievement Award.

“It’s our pleasure to pay tribute to the long and inventive career of William T. Wiley as the Artist Guest of Honor,” said Rick Friedman, SF Fine Art Fair Director, “and to feature his works in the Fair’s Public Installation Retrospective.”

William T. Wiley’s works may be recognized for their visual puns and sly humor, yet guest curator DeWitt Cheng writes, “Despite their absurdist humor and visual inventiveness, they tackle big issues: the defoliation and pacification of Vietnam; apartheid, genocide, police abuse of power and political violence; offshore drilling and ocean desertification; fundamentalism and creationism; and the ‘old lie,’ glorifying and glamorizing war. … His mixture of art-history appropriations (Winslow Homer, Bosch, Breughel, Manet), cartoon surrogates (Mr. Unatural [sic] and Zenry) and comic patter create a cultural mashup that never settles into political correctness or hardens into esthetic amber, remaining unruly, alive, and undogmatic.”

A master of a broad range of media that includes drawing, painting, prints, tapestries, sculpture, film, performance, and pinball, William T. Wiley, now 75, first came to prominence in the Bay Area and nationally in 1960, while still a student at the California School of Fine Arts (now San Francisco Art Institute). That year, he was included in the “Young America Show” at New York’s Whitney Museum of American Art, and received his first solo museum exhibition at the San Francisco Museum of Modern Art. Identified with the Bay Area “Funk Art” movement, Wiley’s idiosyncratic works soon garnered national and international attention.

William T. Wiley’s works were included in nationally prominent exhibitions, such as the Whitney Annuals (1967, 1968), and 1983 Whitney Biennial; “An International Survey of Painting and Sculpture” at the Museum of Modern Art, NY (1984); many other prestigious venues; and internationally at Dokumenta V (1972); the Venice Biennial (1972, 1980); in Amsterdam, Berne, Cologne, Frankfurt, London, Madrid, Paris, and throughout Japan. Solo museum exhibitions also included SFMOMA (1981); San Francisco’s de Young Museum (1996); The Corcoran Gallery of Art, Washington, DC (2005), and others. In 2009-10, The Smithsonian American Art Museum presented “What’s it All Mean?: William Wiley in Retrospect” (2009-10), which subsequently traveled to the Berkeley Art Museum. Reviewing the retrospective for the Wall Street Journal, Sidney Lawrence wrote of Wiley’s “skillfully drawn, pun-loaded and casually enigmatic work, often subverting modernism’s language of geometric abstraction and assemblage with a glut of personal meaning.”

William T. Wiley’s works are in public collections across the U.S. and abroad that include the Stedelijk van Abbemuseum at Eindhoven, The Netherlands; Museum of Modern Art, and Whitney Museum of American Art, New York; Museum of Fine Arts, Boston; Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; Los Angeles County Museum of Art; Seattle Art Museum; Walker Art Center, Minneapolis; and locally in the collections of the San Francisco Museum of Modern Art, The Fine Arts Museums of San Francisco, The Oakland Museum, San Jose Museum of Art, Berkeley Art Museum, Sacramento’s Crocker Art Gallery, and numerous other institutions. His works have long been represented in San Francisco by John Berggruen Gallery.

The San Francisco Fine Art Fair at San Francisco’s Fort Mason Center Festival Pavilion (Marina Boulevard @ Buchanan Street) runs May 17 through May 20, 2012, with preview receptions on Wednesday, May 16, from 5:30pm-9:30pm benefiting Yerba Buena Center for the Arts. Fair hours are Thursday, May 17–Saturday, May 19, 11am-7pm; Sunday, May 20, 11am-6pm. Individual tickets are $25 for one day; $40 for a four-day pass (May 17-20). Tickets for the Opening Preview Patron Party (We., May 16, 5:30pm-7pm) are $125, which includes a 4-day Pass. Tickets to the VIP Opening Reception (Wed., May 16, 7pm-9:30pm) are $75, which includes a 4-day Pass. www.sffineartfair.com. Facebook: www.facebook.com/SFFineArtFair ; Twitter: twitter.com/SFFineArtFaira

Artist-altered Bicycles Featured in “ArtBike” Exhibit and Auction at the 2012 San Francisco Fine Art Fair

Ten Percent

Artist-altered Bicycles Featured in “ArtBike” Exhibit and Auction at the 2012 San Francisco Fine Art Fair

SF Fine Art Fair, Largest Arts Fair on the West Coast, May 16–20 at San Francisco’s Fort Mason Center


www.sffineartfair.com

4 May 2012 – San Francisco, CA: Since the Stone Age, humans have been fascinated with their wheels. This age-old fascination will be on full display at the 2012 San Francisco Fine Art Fair with a special exhibition and auction of artist-altered bicycles called “ArtBike,” to be unveiled on opening night, May 16. The third annual San Francisco Fine Art Fair takes place May 16-20, 2012, at Fort Mason’s Festival Pavilion (www.sffineartfair.com).

Described as “a poetic collaboration of artists, businesses, and the community working in concert towards a rewarding, valuable and entertaining experience,” by project manager Seb Hamamjian of Hamamjian Modern, “ArtBike” has pulled together artists, galleries, Rob Forbes’ Public Bikes, the San Francisco Bicycle Coalition, and the San Francisco Fine Art Fair for this innovative project. The sculptural bicycles on display will be auctioned during the fair, with proceeds to benefit the educational programs of the SF Bicycle Coalition.

The bikes, displayed in a circle on pedestals, will be unveiled on opening night by members of Verasphere’s drag queens led by David Faulk and Michael Johnstone. The exhibition and auction will run throughout the fair and end on Sunday, May 20, at 3pm.

“ArtBike” participating artists include Ken Kalman (George Krevsky Gallery, San Francisco); Gino Miles (Ten472 Contemporary Art, Nevada City); Michael Osborne (Hamamjian Modern, San Francisco); Gustavo Ramos Rivera collaborating with Kathryn Kain (Westbrook Gallery, Carmel); Klari Reis (Cynthia Corbett Gallery, UK); Moe Thomas (McLoughlin Gallery, San Francisco); and Cyrus Tilton (Vessel Gallery, Oakland).

Among the bikes on display is Ken Kalman’s winged “Chariot of Fire,” which refers to mythological messenger gods (Hermes, Mercury, the Thunderbird, and Ezekiel), who “rode like the wind.”

Klari Reis’s “Pedestal Bike” is a deconstruction embedded in a colorful multi-layer pedestal, with the manufactured object displayed as art and the base as her sculptural creation, an approach that plays with the definition of what is on exhibition. Reis’s unique method of pigmenting and painting with viscous epoxy polymer defines her immediately recognizable style.

Cyrus Tilton’s “Fossil Fuel” draws from the artist’s interests in anatomy and natural history, applied to forms found in the bicycle. “I see many similarities between the anatomy of a bicycle and that of an animal,” says Tilton, who was born and raised in the Alaskan wilderness northeast of Anchorage. Central to Tilton’s works are concepts of respect for nature, and questioning humanity’s relationship to nature and one another.

THE SAN FRANCISCO FINE ART FAIR

An unprecedented number of leading museums, arts and cultural organizations from throughout California and other regions have joined the third annual San Francisco Fine Art Fair. This year’s cultural partners include the San Francisco Arts Commission, Yerba Buena Center for the Arts, Marin Museum of Contemporary Art, Modesto Art Museum, Napa Valley Museum, San Jose Tech Museum, Museum of Monterey, The Oakland Museum of California, Sonoma Valley Museum of Art, and the Chinese Historical Society, among others from California and the Southwest. Presented in Fort Mason’s lavish 50,000 square foot Festival Pavilion overlooking San Francisco Bay and the Golden Gate Bridge, the fair will feature more than 90 galleries exhibiting 5,000+ works of art from over 400 artists.

The San Francisco Fine Art Fair will be held at San Francisco’s Fort Mason Center Festival Pavilion (Marina Boulevard @ Buchanan Street), May 16 through May 20: Wednesday, May 16, 5:30pm – 9:30pm; Thursday, May 17, 11am – 7pm; Friday, May 18, 11am – 7pm; Saturday, May 19, 11am-7pm; Sunday, May 20, 11am-6pm. Individual tickets are $25 for one day; $40 for all four days. Preview on May 16, tickets are $125 for 5:30pm — 7pm and $75 for 7pm – 9:30pm; which includes a four day pass to the Fair. www.sffineartfair.com. Facebook: www.facebook.com/SFFineArtFair ; Twitter: twitter.com/SFFineArtFaira

International Design Competition San Francisco’s Rainbow Honor Walk Contest Extended through July 15

Rainbow Honor Walk

International Design Competition San Francisco’s Rainbow Honor Walk Contest Extended through July 15

Castro District Sidewalks to Hold Tribute to Historic Figures

www.rainbowhonorwalk.org

5 May 2012 – San Francisco, CA: What should be the design of a globally important public art installation to LGBT heroes and heroines? That question is about to be answered by an international competition to create an iconic design for the Rainbow Honor Walk (www.rainbowhonorwalk.org), a tribute to historic LGBT figures in San Francisco’s Castro district. Last year, the first 20 names for The Rainbow Honor Walk were announced. The contest, originally slated to closed May 1, has been extended to July 15. The goal: to solicit design proposals from around the world. Four finalists will be selected, judged by a jury comprised of curators from San Francisco’s leading cultural institutions plus LGBT community leaders and a member of the San Francisco Arts Commission’s Civic Design Committee. The four finalists will be presented to the Rainbow Honor Walk board that will select the winner. The designer of the winning submission will receive an honorarium of $1000. There is no fee for submission.

“This is a project of worldwide significance, and deserves a world class design,” said Rainbow Honor Walk Co-Founder and Chair David Perry. “The design of the plaques for the Rainbow Honor Walk needs to be beautiful, memorable, durable and unique.”

Envisioning the Rainbow Honor Walk, a volunteer committee of community leaders received the unanimous support of the San Francisco Board of Supervisors. Eventually, the Walk will stretch from the Harvey Milk Civil Rights Academy on 19th Street at Diamond down to Castro. On Castro Street — the LGBT community’s “Main Street” – the walk will continue up to Market Street with additional wings along 18th Street. On Market Street, San Francisco’s main thoroughfare, the Walk will continue to the LGBT Center at Octavia Boulevard.

“The Rainbow Honor Walk will not only be an inspiring educational tool for future generations, but an important, ongoing and permanent part of San Francisco’s cultural landscape,” said Tom DeCaigny, Director of Cultural Affairs for the San Francisco Arts Commission. “We are honored and pleased to support this project, and look forward to assisting in any way we can.”

After the design is selected by the Rainbow Honor Walk board, it will then be presented for approval by the San Francisco Arts Commission in accordance with San Francisco’s Charter which requires all structures placed on public property to be approved by the Arts Commission. When that has been completed and the funds have been raised, the plaques will be fabricated and installed in the sidewalks.

Design Parameters:
1) Designs must include the name of the individual to be honored, their birth and death dates, and a brief description of their contributions
2) Size: 3 feet wide x 3 feet long (depth to be determined based upon engineering recommendations)
3) Materials: bronze and/or terrazzo

Individuals and/or design teams interested in participating in the design competition should contact the Rainbow Honor Walk by mail. Each submission must include:

A one page description (no more than 500 words) of why this design is appropriate along with the qualifications of the designer.
2. A CD with documentation of completed and installed public artwork or similar projects. No more than three (3) projects should be submitted although there may be multiple images of each project from different perspectives to show the design, the materials and the context in which the work is located. A maximum of 10 jpeg images may be submitted.
3. One 1 foot by 1 foot color design concept in the format of a drawing, painting or photo montage. Actual fabricated models will not be accepted. Please do not deviate from the standard submission format. Applicants may only submit one design.
4. The applicant agrees to allow the Rainbow Honor Walk to use the images of his/her submission for promotional, educational and informational purposes.
5. The winning applicant will be required to enter into a Memorandum of Understanding with the Rainbow Honor Walk organization to allow her/his design to be implemented and to agree to consult on details related to the materials utilized for fabrication of the Walk of Fame plaques.

The information above should be mailed to: The Rainbow Honor Walk Design Contest 584 Castro Street, #113 San Francisco, California 94114

Incomplete submissions will be discarded. All submissions will become the property of the Rainbow Honor Walk. The Rainbow Honor Walk is not responsible for the loss of or damage to any materials. The materials must be hand-delivered or post-marked by midnight PST, July 15. Late applications will not be accepted. Eligibility: This competition has no geographic restrictions regarding the eligibility of its applicants. For information, please email contest@rainbowhonorwalk.org

Following are the first 20 names selected for inclusion on the Rainbow Honor Walk:
Jane Addams (1860-1935), Social worker, first American woman to win the Nobel Peace Prize, 1931.

James Baldwin (1924-87), American novelist, playwright, essayist, poet, civil rights activist.

George Choy (1960-93): Activist for Asian & Pacific Islander youth and people with AIDS.

Federico Garcia Lorca (1898-1936), Spanish poet, playwright, political activist.

Allen Ginsberg (1926-97), American poet. San Francisco Beat poet/ Free speech activist.

Keith Haring (1958-90), American artist and AIDS activist.

Harry Hay (1912-2002), English born writer, gay rights activist. Founder of The Mattachine Society, 1950.

Sylvester James (1947-88), American disco star, soul singer, San Francisco performer.

Christine Jorgensen (1926-89), Pre-eminent American transgender pioneer and advocate.

Frida Kahlo (1907-54), Mexican artist whose work has been celebrated as emblematic of national and indigenous tradition.

Del Martin (1921-2008), American feminist, gay rights activist. Founder Daughters of Bilitis.

Yukio Mishima nee Kimitake Hiraoka (1925-70), Japanese playwright, poet, actor, film director.

Bayard Rustin (1912-87), American civil rights leader.

Randy Shilts (1951-94), San Francisco journalist, biographer.

Gertrude Stein (1874-1946), American novelist, essayist, playwright.

Alan Turing (1912-54), British scientist who broke the Nazi’s Enigma Code and father of the modern computer, cryptanalyst, logician, mathematician.

Tom Waddell (1937-87), American athlete, physician, founder of the Gay Games.

Oscar Wilde (1854-1900), Irish playwright, poet, novelist, essayist.

Tennessee Williams (1911-83), American dramatist, poet, novelist.

Virginia Woolf (1882-1941), English novelist, essayist, publisher.

Tony Hawk: Rad Science exhibition

Lawrence Hall of Science

Tony Hawk: Rad Science exhibition premieres May 26 at the Lawrence Hall of Science

On Saturday, June 2 World-Class Skateboarders Display Gravity-Defying Stunts Showing Physics in Action

www.lawrencehallofscience.org

4 May 2012 – Berkeley, CA: If you shred it, they will come. That’s the theory – physics theory – behind the Tony Hawk: Rad Science Exhibit coming to UC Berkeley’s Lawrence Hall of Science beginning May 26 which answers the question: How can a visit to a local skatepark demonstrate important physics principles? On Saturday, June 2, the world’s most famous skateboarder and exhibit namesake, Tony Hawk, brings the gravity defying answer to Berkeley in a free open-to-the public tag-team demonstration with Berkeley physics professor Joel Fajans.

“Tony Hawk is famous for skateboarding, and UC Berkeley is famous for science,” said Gretchen Walker, Associate Director of the Lawrence Hall of Science “This is a great match, like centripetal force to a kickflip.”

At the opening event on June 2nd, Hawk, along with other professional skateboarders, will perform an exciting demonstration on a specially designed vertical skate ramp set up just outside The Hall. There will be a DJ and a fun skate vibe, but rather than the usual sports commentary, professor Fajans will provide insights into how physics is being applied.

“Physics relates to everything that we do,” said Fajans. “This cool new exhibition shows how a visit to a local skatepark can demonstrate important physics principles.”

The Rad Science exhibition will allow visitors to put themselves into the role of skateboarders and scientists as they explore over 25 interactive experiences including:

Bodacious Board Balance

Ride stationary skateboards designed to test your balance in classic tricks like “grinding” and “manuals” on the safety of a padded surface.

Newton’s Pool – Go inside an empty swimming pool to experiment with the laws of motion and see how a pool’s unique characteristics created the origin of extreme skateboarding.

Skateboard Evolution – See skateboard designs from the first in 1962 through today and learn how physics has driven the evolution of decks, wheels, and axles.

Tony’s 900 Vert Theatre – Take a trip back in time to witness the first time Tony Hawk ever preformed the 900 (2.5 revolutions in mid air)

Wipeout Ambulance – See how inventions like helmets, kneepads, and wrist guards have helped dissipate the extreme forces of a wipeout.

Tony Hawk: Rad Science is created by Las Vegas based Exhibit IQ. The exhibition is designed to bring important science, technology, engineering and math (STEM) principles to life with an authentic skate culture design and hands-on activities that show science at work.

The exhibit runs at the Lawrence Hall of Science from May 26 through September 3, 2012, and is sponsored in part by Scholarshare. The Hall is open daily from 10 :00 a.m. to 5:00 p.m. and general admission is $6-12. Children under 3, members, and UC Berkeley students and staff receive complimentary admission.

The opening event is on June 2nd at 1:00 p.m. Tickets for the event include admission to the exhibition and are $20, kids under 3 are free. Tickets for members and UC Berkeley staff and students are $7.00. Event capacity and parking is limited and advanced ticket purchase is highly recommended.

Special opportunities for press photography and video will be available for the hour before and during the June 2nd demonstration and time will be allotted for Q&A with Tony Hawk, Joel Fajans, and leaders from the Lawrence Hall of Science and Exhibit IQ.

Visitors are encouraged to share in excitement of the event through social media using hash tag #radscience, and the Hall will be partnering with Veetle to share live footage of the event online and on monitors around the Hall and inside their auditorium.

For more information: www.lawrencehallofscience.org, www.facebook.com/lawrencehallofscience twitter@berkeleyscience / #radscience 510-642-5132.

Troy Campbell Named Executive Director of Fisherman’s Wharf Community Benefit District

Fisherman's Wharf San Francisco

Troy Campbell Named Executive Director of Fisherman’s Wharf Community Benefit District

www.visitfishermanswharf.com

1 May 2012, San Francisco, CA: The Fisherman’s Wharf Community Benefit District (www.visitfishermanswharf.com) announces the appointment of Troy Campbell as the organization’s new Executive Director. In that role, he will oversee the administration of the CBD and work collaboratively with the Board and members to meet the goals of the CBD.

“I am extremely honored that the Board of Directors has entrusted me to help them reach their goals, protect their interests and represent an area so important to the economy of San Francisco,” said Campbell, “Especially with the upcoming Golden Gate Bridge 75th commemorations, Fleet Week, the Port’s 150th anniversary and, of course, America’s Cup, more than ever Fisherman’s Wharf is at the very center of San Francisco’s business community.”

“Troy has been an invaluable part of the Fisherman’s Wharf family for several years,” said FWCBD Board president David Berbey of Cioppino’s Restaurant. “We are delighted to have watched him rise through the ranks and now take on a full leadership position.”

As manager of the Fisherman’s Wharf CBD for the last two years, Campbell helped run the organization, plan its marketing and public relations strategies, oversee community relations and established the CBD’s robust Internet and social media presence. Prior to his work with the CBD, Campbell worked in the tourism industry, with other non-profits, ran his own freelance company, worked as a Park Ranger for the National Park Service and has a background in law enforcement as well.

The Fisherman’s Wharf Community Benefit District was founded in November of 2005 by neighborhood business and property owners. The district is funded through an annual assessment for 15 years from the property owners. In May 2006, the FWCBD received 501(c)(3) status from the IRS, which allows the organization to apply for federal, state and locally funded grants, as well as to seek sponsorships from companies with a philanthropic division.

The Fisherman’s Wharf CBD serves businesses and residents in an area that extends from Van Ness Ave. to the Embarcadero and from Bay Street to the Fisherman’s Wharf waterfront. In December of 2006 the Fisherman’s Wharf CBD formed the portside business-based Community Benefit District, which focuses on businesses and attractions along the waterfront, from the Hyde Street Pier to the Embarcadero and North Point Street. With the strength of both the land and portside CBD’s, the Wharf community develops marketing, security, urban planning, signage, and emergency preparedness programs for the district. The Community Benefit District has also served as a catalyst for unification of Fisherman’s Wharf constituents to support a positive change to their San Francisco neighborhood, one of the city’s top tourist attractions. As such, it works in close association with The Fisherman’s Wharf Merchants Association, an organization that for more than 60 years has represented members from businesses in the Wharf community.

The mission of the Fisherman’s Wharf Community Benefit District is to preserve and enhance its vast San Francisco waterfront landscape and multi-cultural heritage, while integrating modern efficiencies to enrich the experience of visitors from both near and far through: Market Research; Brand and Destination Marketing; Sidewalk Operations, Beautification and Order; Traffic and Urban Planning; and Emergency Preparedness.

For more information visit www.visitfishermanswharf.com