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Election Night Party aboard Franklin Roosevelt’s Presidential Yacht “Potomac” Raises Funds for Historic Ship

USS Potomac

Election Night Party aboard Franklin Roosevelt’s Presidential Yacht “Potomac” Raises Funds for Historic Ship

100 People to View Presidential Coverage for Dinner & Wine Cruise on San Francisco Bay with “Presidents Bush & Obama”

www.usspotomac.org

19 October 2012 – San Francisco, CA: It’s the definition of bipartisanship – a real bipartisan ship. On Tuesday, November 6, 2012, 100 political partiers of both parties will board the National Historic Landmark presidential yacht Potomac to view the election from Franklin Delano Roosevelt’s “floating White House.” Special onboard guests that night will be two “Presidents”: George H.W. Bush and Barack Obama – courtesy of San Francisco’s Wax Museum at Fisherman’s Wharf. The election night fete will begin at 5pm when the Potomac sails from her home berth in Oakland’s Jack London Square just as the polls are closing on the East Coast. After crossing the Bay, the historic vessel will pick up additional political partiers at San Francisco’s Pier 40 in the City’s South Beach Marina at 6pm. During the three-hour cruise, guests will be treated to fine wines and “All American” fare for dinner. Also making a special onboard appearance that night will be four-time elected president, “Franklin Delano Roosevelt” joined by his faithful dog “Fala.” The cruise will debark passengers at 8pm in San Francisco, and 9pm in Oakland, just about the time the evening’s winner is expected to be making his acceptance speech. Tickets are $ 85 (-October 31); $125 (November 1-5); $200 (election day November 6). Tickets are available online at electionnightpotomac-efbevent.eventbrite.com or by phone at (510) 627-1215. Proceeds from the evening benefit the preservation and educational efforts of the nonprofit USS Potomac Foundation.

“What better place to enjoy an historic election than aboard FDR’s historic home-away-from home,” said maritime historian David Perry, 50, who conceived the idea for the benefit party. “No matter who wins, the wine will flow and the food will comfort our guests on both sides of the aisle, port or starboard. Also, being onboard with our wax presidents — WWII hero George H.W. Bush and current Commander-In-Chief Barack Obama – will be a great honor.”

“Preserving our maritime heritage was a passion of President Roosevelt,” said Potomac Executive Director Marti Burchell. “This historic party is a way to raise awareness – and funds – for FDR’s own historic ship.”

The USS Potomac was built in 1934 as the Coast Guard cutter Electra. The 165-foot vessel, weighing 376 gross tons and cruising at speeds of 10 to 13 knots, was commissioned as a U.S. Navy vessel in 1936, renamed the USS Potomac, and served as Franklin Delano Roosevelt’s presidential yacht until his death in 1945. As former Assistant Secretary of the Navy, FDR had a deep love of the sea and the Navy tradition. He hated to fly and preferred to travel by train or ship throughout his presidency.

During the sultry summer days in Washington, D.C., he preferred to cruise on the USS Potomac rather than stay in the White House. The USS Potomac gave the nation’s 32nd president much-needed respite from the cares of governing the United States throughout the Great Depression and World War II.

After FDR’s death in April 1945, the Potomac began a long and ignominious decline from her former role in world affairs. After many adventures and many owners – including Elvis Presley at one point – she was seized in 1980 in San Francisco by U.S. Customs for her role as a front for drug smugglers. Towed to Treasure Island, the proud vessel’s hull was pierced one night and she sank.


After several weeks Potomac was refloated by the Navy, and dumped on the mudflats on the side of the Oakland Estuary. She lay there for nearly 12 years, rotting and abandoned. In 1982, in an effort to save her from the scrap-yards she was sold to the Port of Oakland for just $15,000. The Port of Oakland spearheaded a cooperative effort with organized labor, maritime corporations and dedicated volunteers to complete a $5 million restoration. Opened to the public in 1995, the Association for the Preservation of the Presidential Yacht Potomac now operates this National Historic Landmark as an active memorial to Franklin Delano Roosevelt and the momentous times through which he led our nation.

6th Annual Fisherman’s Wharf PIERsafe Emergency Expo and Drill

Dimensions Dance

6th Annual Fisherman’s Wharf PIERsafe Emergency Expo and Drill sponsored by Fisherman’s Wharf Community Benefit District in partnership with SF Fire Department and SF Department of Emergency Management.

Remarks by

SF Fire Chief Joanne Hayes-White & Fisherman’s Wharf CBD Troy Campbell

WHEN:

Friday, October 12, 9am-1pm
9am: Speakers
Ham radio and fishnet test: 9:20am
9:30am – 1pm: ICS Drill

WHERE:

San Francisco’s Aquatic Park, located at Hyde and Jefferson Streets

www.visitfishermanswharf.com

WHY:

The 6th Annual PIERsafe Drill and Expo helps prepare and teach businesses and citizens about how to prepare and recover from a major disaster in the Bay area. The drills demonstrate the formation and implementation of the Incident Command System’s incident command center, as well as examples of extrication, triage, utility shut off and fire suppression. The expo compliments the drill in by exposing local residents, businesses and employees to the tools that they have at their disposal from NERT (Neighborhood Emergency Response Team) training to emergency preparedness kits. Vendors that will be participating will be private industries and government agencies focused on emergency preparedness and business continuity including:, The American Red Cross; San Francisco Department of Emergency Management, San Francisco Fire Department, NERT ((Neighborhood Emergency Response Teams), Cole Hardware, PG & E/ The Safety Expo will provide information to local residents, businesses and employees about tools that they have at their disposal from NERT training to emergency preparedness kits

ABOUT PIERsafe: In 2006, The Fisherman’s Wharf Community Benefit District and the Fisherman’s Wharf Merchants Association banded together to create the PIERsafe committee to develop an emergency preparedness and response plan for the community. The PIERsafe committee also works with the San Francisco Fire Department in providing Neighborhood Emergency Response Training sessions especially designed for the business owners, merchants and residents of the Fisherman’s Wharf. The PIERsafe committee meets on the first Wednesday of each month in Scoma’s Restaurant at 9am.

Dimensions Dance Theater presents Premiere of DOWN THE CONGO LINE II

Dimensions Dance

Dimensions Dance Theater presents Premiere of DOWN THE CONGO LINE II

Saturday, October 13, 2012, 8pm at Malonga Casquelourd Center for the Arts, Oakland

www.dimensionsdance.org

20 September 2012 — San Francisco, CA: Dimensions Dance Theater is pleased to announce the premiere of DOWN THE CONGO LINE II featuring two works rooted in Congolese tradition by choreographers Herve (Kayos) Makaya and Jose “Cheo” Rojas, directed by Dimensions Dance Theater Artistic Director Deborah Vaughan. A celebration of dance and music rooted in Congolese traditions, the performance will be accompanied by Cuban and Congolese percussionists, and two of the Bay Area’s best-known drummers—Sandy Perez from Cuba, and Kiazi Malonga, son of the late Malonga Casquelourd.

DOWN THE CONGO LINE II premieres on Saturday October 13, 2012, at 8pm at the Malonga Casquelourd Center for the Arts, 1428 Alice Street at 14th Street, Oakland. Tickets are $20 in advance; $25 at the door (children under 18 years $15). Advance tickets are available at brownpapertickets.com or in person at the Dimensions Dance Theater office (M-F 4pm-7pm) on the 3rd floor of the Malonga Center (1428 Alice St. at 14th St.). Further information is available at (510) 465-3363 or www.dimensionsdance.org

“Join Dimensions Dance Theater for a special evening of this exciting blend of exhilarating music and powerful dance traditions that are present in Cuba and Congo,” said Artistic Director Deborah Vaughan. The concept of DOWN THE CONGO LINE came about through a trip Vaughan made to the Congo. Her experiences there inspired her to build a collaboration for the company that would recognize the extraordinary contribution that Congolese culture has made to the music and dance of the Americas. This new work engages traditional artists from the Diaspora to create contemporary work that is both rooted in the local community’s traditions and also reflects their Congolese origins.

Jose Rojas’s choreography OF THE ISLAND brings a view of Cuba from a past time – making the old become the new. The impassioned rhythms and dances of the island will light up the stage. This exciting work highlights Cuba’s connection to the Congo with a suite of dances that reflect the enduring and irrepressible spirit of Africa in Cuba.

Herve Makaya’s choreography VUKANA is a lush creation that will entertain and inspire audiences with the spellbinding sound of the “ngoma” (drum), layered with song, story and widely varied dance styles of Brazzaville, Congo. This work has a rich vocabulary and celebrates living traditions in the Congo.

Dimensions Dance Theater presented Part I of DOWN THE CONGO LINE in Spring 2012, featuring works by choreographers LaTanya d. Tigner and Isaura Oliveira, with live percussion accompaniment.

ABOUT THE ARTISTS:

Herve (Kayos) Makaya is a choreographer, musician, and dancer trained in both traditional Congolese and contemporary dance. Born and raised in Republic of Congo, Makaya was initiated and ritually trained in the art of Congolese music and dance. His training spans over two decades and he has traveled the world and earned numerous honors and accolades for his artistic excellence. He traveled to San Francisco in 2007 with Compagnie Li-Sangha to participate in the San Francisco International Arts Festival, and decided to stay in the Bay Area to escape the civil war that was plaguing his home country. He is the Artistic Director of Tata Kaya Art, a Congolese dance and drum ensemble. He is based in Arcadia and is working with DDT for the first time on this project.

Jose “Cheo” Rojas was born in Guantánamo, Cuba, where he began dancing at a young age with his father at changüicera parties (“changüi” being a genre of music and dance born in the Eastern mountains of Cuba), and with his grandfather at Cuban-Haitian parties. He graduated as a dance instructor from the Escuela Profesional de Arte de Cuba in 1988, as professor and choreographer from the Instituto Superior de Arte de Cuba in 1990, and as a folklore specialist from the Escuela Nacional de Arte in 1996. He began his career as a professional dancer and choreographer with Danza Libre in 1989, and co-founded and co-directed the internationally renowned Cuban company Banrará in 1994. Having participated in several national and international festivals, he won a Best Choreographer award in Cuba in 1998. In 1999 he traveled to the U.S. to participate in a production of West Side Story in the Bay Area, where he now resides and teaches. This will be the first time that Cheo has choreographed for DDT.

DIMENSIONS DANCE THEATER

Under the artistic leadership of co-founder Deborah Vaughan for over 39 years, Dimensions Dance Theater has become widely recognized for its presentation of both traditional dances and contemporary choreography drawn from African, Jazz, and Modern dance idioms. DDT has garnered national and international acclaim, performing throughout the US and traveling to Nigeria, Jordan, Germany, Zimbabwe, The Congo (Brazzaville) and Cuba. DDT has advanced African American dance as an art form through a series of interdisciplinary collaborations with composers, musicians and singers working in a wide variety of African and African American traditions. These have included Hugh Masekela, the Edwin Hawkins Singers, Street Sounds, Cab Calloway, Chanticleer, Omar Sosa, Anthony Brown and Fifth Stream Music and the late Khalil Shaheed and the Mo’Rockin Project.

CALENDAR INFORMATION:

WHO: Dimensions Dance Theater
WHAT: DOWN THE CONGO LINE II, an evening of dance choreographed by Herve “Kayos” Makayos and Jose “Cheo” Rojas, directed by Dimensions Dance Theater artistic director Deborah Vaughan
DATE: Saturday, October 13, 2012
TIME: 8 PM
VENUE: Malonga Casquelourde Center (1428 Alice Street @ 14th Street, Oakland)
TICKETS: $20 in advance, $25 at the door, children under 18yrs $15
BOX OFFICE: brownpapertickets.com or: in person at Malonga Center, Dimensions Dance Theater office, 3rd floor, M-F 4-7pm
INFORMATION: 510 465-3363 or www.dimensionsdance.org

The Wax Museum at Fisherman’s Wharf brings the legendary “Emperor Norton”

Wax Museum at Fisherman's Wharf

The Wax Museum at Fisherman’s Wharf brings the legendary “Emperor Norton” back to life for the San Francisco Welcome Center & History Museum

www.waxmuseum.com

11 October 2012, San Francisco, CA — The Wax Museum at Fisherman’s Wharf (www.waxmuseum.com) has completed a new wax figure of one of San Francisco’s most colorful and celebrated early citizens — Joshua A. Norton, known to all as “Emperor Norton.” Crafted over the last six months by the Wax Production Studio of The Wax Museum at Fisherman’s Wharf, the life-size figure is dressed in Civil War-era military attire, based on contemporary photographs of Emperor Norton in full regalia befitting his noble title. The Emperor Norton from the Wax Museum at Fisherman’s Wharf was created to help mark the Grand Opening of the San Francisco Welcome Center & History Museum at 449 Powell Street. “Emperor Norton” will move to his new home on October 11, 2012, where it will remain on loan.

“No one waxed more eloquently in his heyday than did the Emperor Norton, so it’s only fitting that a San Franciscan with an immortal legacy is now preserved immortally in wax” said Rodney Fong, owner / president of the Wax Museum at Fisherman’s Wharf. “We’re thrilled to see him make history again at the San Francisco Welcome Center & History Museum.”

Museum Curator Curtis Huber and staff in the Wax Production Studio of The Wax Museum at Fisherman’s Wharf relied particularly on a photograph that shows Norton posing formally in Civil War attire. The wax figure is clothed in a Navy blue Union Army tunic with gold bullion epaulettes, and dark heather grey wool pants. He wears a Civil War leather sword belt with brass eagle buckle and shoulder strap, and a U.S.1860 Light Cavalry War Sword. On his head is a white beaver top hat with ostrich and peacock feather adornment, and a ribbon rosette with rhinestone broach. “We are very excited to highlight San Francisco history at its best including SF’s forever reigning Emperor Norton, as created by the famed Wax Museum at Fisherman’s Wharf,” said Barry Barsamian, Curator of the SF History Museum. “We will be highlighting many of the City’s legends from Mark Twain and Jack London to Cecil Williams and Natalie Wood. Our goal is to preserve our rich historical past, blended with our present day history-in-the-making.”

On September 17, 1859, Joshua A. Norton, a Gold Rush-era San Francisco entrepreneur, published a decree declaring himself Norton I, Emperor of the United States and Protector of Mexico. Known to all in San Francisco, his early headquarters were at Platt’s Music Hall on Montgomery Street. Over the next twenty years, Norton I issued numerous decrees published in San Francisco newspapers. By decree, Emperor Norton dismissed the Governor of Virginia for hanging John Brown; dissolved the United States of America; barred Congress from meeting in Washington, DC; dissolved and abolished the Democratic and Republican parties due to party strife; and declared in 1872 that a suspension bridge be built to connect Oakland and San Francisco, among other things.

In January 1867, an overzealous patrol officer created a civic uproar when he arrested His Majesty Norton I for involuntary treatment of a mental disorder. This faux-pas led to an apology from the city’s Police Chief, and from that time on police officers saluted His Majesty when he passed them on the street.

On January 8, 1880, Norton I dropped dead on California St. at Grant Ave., on his way to a lecture at the Academy of Natural Sciences. Ten thousand people turned out for his funeral, forming a cortege two miles long. His eccentricities and sincerity earned love from his fellow citizens, and he has lived on in the popular legend of San Francisco. (Information from San Francisco Almanac by local historian Gladys Hansen, published by Chronicle Books, 1995.)

Opened in 1963 as the largest wax museum in North America, the Wax Museum at Fisherman’s Wharf is one of the most popular landmarks in San Francisco’s busy waterfront neighborhood. The Wax Museum at Fisherman’s Wharf features one of the foremost collections of wax figures in the world, where the magic of 50 years of wax artistry transports you through time. The Wax Museum is “home” to a legion of notorious characters, with over 250 internationally-known personalities past and present in fabulous scenes, representing a millennium of history and fantasy, from King Tut’s Magnificent Tomb to the Yellow Brick Road, from the majesty of the Titanic to the ghouls of the underground Chamber of Horrors. At the Wax Museum, royalty and presidents rub shoulders with today’s pop celebrities, and famous artists and scientists display their masterpieces and discoveries.

Open daily from 10am to 9pm, The Wax Museum at Fisherman’s Wharf is located at 145 Jefferson Street, San Francisco. For full information, visit www.waxmuseum.com

Kendra Kimbrough Dance Ensemble (KKDE) Presents 15th Anniversary Celebration Concert “In The Meantime”

Kendra Kimbrough Dance Ensemble

K*STAR*PRODUCTIONS home of the Kendra Kimbrough Dance Ensemble (KKDE) Presents 15th Anniversary Celebration Concert “In The Meantime”

Friday, October 26 – Saturday October 27, 2012, 8 pm at Laney College Theater, 900 Fallon St, Oakland

www.kkde.org

9 October 2012 – Oakland, CA: K*STAR*PRODUCTIONS, home of the Kendra Kimbrough Dance Ensemble (KKDE), presents its 15th Anniversary Celebration Concert, “In the Meantime” (www.kkde.org). This original dance-drama probes the period of time during which a person awaits news that may significantly alter her life. “In the Meantime” combines dance and text to provide a glimpse into the hidden anxieties of anticipation, and an intimate insight into the meantime—when one hopes for the best but must prepare for the worst. “In the Meantime” was written in collaboration with Izzie-nominated Delina Patrice Brooks, a Bay Area-based songwriter, playwright, dancer, and choreographer, and features vocalist Tossie Long and accompanist Tasche.

“In the Meantime” will be performed on Friday and Saturday, October 26–27, 2012, at 8pm at Laney College Theater, 900 Fallon Street, Oakland (Lake Merrit BART accessible). Tickets ($8–$22) are available at www.brownpapertickets.com; by calling 888.819.9106; or at the Box Office one hour prior to the concert. Further information is available at www.kkde.org

On Friday, October 26 (8pm), the program opens with Dimensions Extensions Performance Ensemble performing repertory by Kendra Kimbrough Barnes and Latanya Tigner. A discussion follows the concert.

On Saturday, October 27 (8pm), K*STAR*PRODUCTIONS/KKDE says “Thank you” to the audience that has supported its work for the past 15 years by hosting a post-performance reception, featuring the mesmerizing sounds of Boon, who also will perform an opening set. All are welcome to enjoy this celebratory evening of live music, dance and reflection as K*STAR*PRODUCTIONS/KKDE mark this milestone as a viable and valuable organization in the community.

Director Kendra Kimbrough Barnes presents “In the Meantime” as a tribute to Breast Cancer Awareness Month, remembering her mother’s battle that ended 21 years ago, and to the many families still affected by the disease. This dance-theater work probes the lives of women who cope with different aspects of breast cancer. KKDE explores what it’s like to face the possibility of death while managing the demands of life. Through movement and text, the dancer-actors articulate the gripping emotional commitment and vulnerability of those suffering from breast cancer, whether researching preventive measures, caring for a loved one who is ill, or personally facing the disease. In The Meantime also takes an honest look at breast cancer awareness campaigns.

“’In The Meantime’ is a spell-binding work that pays tribute to the strength and resilience of women,” says Kimbrough Barnes. “I’m honored to mark the company’s 15-year milestone with a performance intended to uplift those who have suffered or are suffering from this epidemic.”

ABOUT THE COMPANY

Kendra Kimbrough Barnes established KKDE in 1996 after graduating from San Francisco State University’s Dance Department. She later received her MA in Arts Administration while on full scholarship at Golden Gate University. Kendra’s work displays true vision as she grows and establishes herself as an accomplished choreographer. KKDE has received funding from the Zellerbach Family Foundation, CA$H grant, the City of Oakland, and other sources. An accomplished dancer, Ms. Kimbrough has performed with Robert Henry Johnson, Robert Moses, and other renowned Bay Area choreographers. Currently she teaches children in Oakland through Dimensions Dance Theater’s Rites of Passage Program, and teaches Jazz, Modern, African-Haitian, Pilates, and Yoga at the College of San Mateo.

The Kendra Kimbrough Dance Ensemble (KKDE) focuses on paying respect to the rhythmic cycles of life to create a holistic cyclone of expression. The group consists of well-versed dancers that strive to bridge cultures through performances and workshops that reach a diverse audience. KKDE is committed to representing a range of ages, body-types, and movement styles, and strives to inform audiences about various social issues. The ensemble teaches, creates and presents dance works that build on a wide array of dance forms, with choreography that integrates modern dance with movements inspired by African, Brazilian, and North Indian cultures.

COLLABORATOR

Delina Patrice Brooks (Writer / Creative Collaborator) earned a 2009 Isadora Duncan “Izzie” Award nomination for “Beauty, The Beast: A Dance-Theater Production”, coined as her breathing self-portrait. She has studied and performed dance in the U.S., Western Europe, Southern Philippines and Guinea, West Africa. She has received funding from The Zellerbach Family Foundation, City of Oakland’s Cultural Funding Program, and The East Bay Community Foundation. Brooks has been presented by Yerba Buena Center for the Arts, Youth Speaks, The Black Choreographers Festival, The Crucible, and University of Wisconsin-Madison, among others. She has performed with The Living Word Project, ASE Dance Theatre Collective, City Circus, Willows Theater, African American Shakespeare Company, Cherrie Moraga/Cihuatl Productions, Rhesus Media Group, and other companies.

KKDE DANCERS

Leila Anglin, a Philadelphia native, received her fine arts degree in dance from Temple University. Her passion for the arts has led her to work with renowned artists such as Dr. Kariamu Welsh (Kariamu and Company: Traditions), Charles O. Anderson (Dance Theatre X), and Tania Santiago (Aguas Da Bahia). In addition to performing, Leila is an arts administrator working as the Executive Assistant for Luna Dance Institute. Leila looks forward to growing as a performer as one of the newest members of The Kendra Kimbrough Dance Ensemble.

Alena Odrene Cawthorne is a native of Portland, Oregon, but has made her home performing, choreographing and teaching in the Bay Area with such artists as The Purple Moon Dance Project, Elvia Marta, Malia Movement Company, and most recently with The Kendra Kimbrough Dance Ensemble. She graduated with a BFA in Dance from California Institute of the Arts. She has studied ballet, modern and West African dance for over 20 years as well as Japanese, Balinese and hula dance. Alena has also had the pleasure of bringing the joy of dance to all as a Rhythm & Motion dance workout instructor.

Clairemonica Figueroa is an artist. She has been working with KKDE for over a decade.

Cria Merchant This is Cria’s first season with KKDE. Cria is honored and humbled to be a part of this project and would like to thank Kendra and all the dancers for creating a welcoming and sacred space as she reconnects with movement.

Lavinia Mitchell At the age 8, Lavinia began dancing in Dimensions Dance Theater’s (DDT) pre-professional company Dimensions Extensions Performance Ensemble (DEPE). She also joined DDT’s Rites of Passage program where she learned various forms of dance that include jazz, hip hop, west African, and Haitian to name a few. Through ROP Lavinia was introduced to Kendra, and from that moment began their teacher-student relationship. Now Lavinia dances with DDT, El Wah Movement, Culture Shock Oakland, and is in her 5th season with KKDE.

Chelsea Sibet Morris is a native of Richmond, California. She has been dancing since the age of 3 beginning at Katie’s Dance Studio for 13 years, and continued dancing in advanced dance performance at St. Mary’s College High School and Contra Costa College. She began dancing as a company dancer for Dimensions Dance Theater in 2010. She has had training in jazz, tap, ballet, hip hop, and many variations of African and Latin styles such as Congolese, Brazilian and Cuban. Chelsea has performed throughout the Bay Area and is honored to be a new company member of KKDE this season.

Roquisha Townsend, Dancer, choreographer, instructor, artistic director///Roquisha began training in classical ballet, tap, modern and jazz at the Art of Ballet School of Dance in Richmond,Ca under the direction of her mother Sylvia Townsend. She later trained in west African, Dunham and Haitian and completed a summer intensive with the Alvin Ailey American Dance Center in NY. She received her B.A. in Dance and Psychology from San Francisco State University. Roquisha is currently an instructor and program coordinator for the Art of Ballet School of Dance and also instructs for Dimensions Dance theater’s Rites of Passage youth dance program. Roquisha was a member of the Bantaba West African Dance Ensemble for 15 years, is currently a member of Dimensions Dance Theater and does regular guest work with the Kendra Kimbrough Dance Ensemble. In 2011 Roquisha formed On Tap Dance Theater, an all tap dance company.

*Marianna Hester (Apprentice) has been dancing since 2010 when she moved from North Carolina to the Bay Area. She began in the Rites of Passage Program in Dimensions Dance Theater. After only one session in the program, Marianna began dancing with DDT’s pre-professional dance company, Dimensions Extensions Performance Ensemble. Now Marianna is a teacher’s assistant in the Rites of Passage Program. This is her first year as an apprentice for KKDE. She is a freshman at California State University East Bay studying Human Development and Dance.

additional performers:

Vocalist Tossie Long and accompanist TASCHE (www.tascheVIBE.COM)

Dimensions Extensions Performance Ensemble, a 12-member group of students ranging in age from 12-19 years, has developed an outstanding reputation for presenting pre-professional work that is considered unique and quite remarkable in terms of what is expected of youth groups. DEPE has the honor of continuing Dimensions Dance Theater’s legacy of performance by providing performances of the African-American experience. Members of Dimensions Extensions are trained in jazz, modern, hip hop, Haitian, ballet and traditional African movement. Members are arts ambassadors who serve the community through performances at local festivals, schools, church events, Kwanzaa celebrations, fund raisers, etc. The group has performed and studied in Orlando, Los Angeles, Congolese Dance and Drum Camp in Nevada City, Washington D.C., and New York. Some members of the group traveled to Guinea, West Africa, in December 2006 to participate in a cultural exchange with the youth of Conakry, Boke, and Sangaredi; they took class with and performed for Guinea’s national company Les Ballet Africains. Participation in the group is by audition only; call (510) 465-3363 for audition dates and times. www.dimensionsdance.org

Songwriter/Producer/Musician Boon has been developing his music and style for years and is now excited to take his music to audiences around the world. A native of Oakland, CA, Boon was raised in a family of musicians and singers who greatly influenced his musical tastes. His parents and family nurtured his interest in music at an early age by exposing him to jazz, jazz fusion, gospel, and movie sound tracks. This allowed Boon’s creativity in songwriting and producing began to take shape. Boon enjoys every aspect of the creative process and simply wants to touch people’s lives by sharing his intimate feelings through his musical creations. www.boonavue.com

CALENDAR LISTING:

WHO: K*STAR*PRODUCTIONS home of the Kendra Kimbrough Dance Ensemble (KKDE)
WHAT: 15th Anniversary Celebration Concert “In The Meantime”
WHEN: Friday, October 26 – Saturday, October 27, 2012 @ 8:00 p.m.
WHERE: Laney College Theater, 900 Fallon St, Oakland CA (Lake Merrit BART)

TICKETS: Advance $18 Students & Seniors / $20 General; At Door $20 Students & Seniors / $22 General; $8 children 12 & under Group Rates Available for nonprofit organizations – Call 888.819.9106 www.brownpapertickets.com/event/275892 888.819.9106

BOX OFFICE: Opens one hour prior to performance (opens 7pm)

INFO: 888.819.9106 / kspkkde@comcast.net / www.kkde.org