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Author: Alfredo Casuso

Shear Madness

Shear Madness

Darryl Forman

Poodles and mixed-offspring are taking over the world. You can’t walk half a block without tripping over a Schnoodle, Cockapoo or Goldendoodle, or slipping on  Maltepoo poo or Bernedoodle doo .  There are obvious reasons why wethepoodlepeople love our pups. Whether they were pre-owned – like my Romo, who is an unintentional ¾ poodle and ¼ Bichon Frise mix, or they may have been bought new, they are wonderful pets. 

Poodles are the second-smartest dogs, just below Border collies, according to people who test such things. It’s said that you can almost see poodles think. I watched my Romo figure out how to move not just through a stationary hoop, but through a moving one. At first she refused to do it, but after watching it for a few moments, 

She leapt like the circus dog she was meant to be. Whether circus, service, therapy, or just plain wonderful, there is one thing all these doodles need to do. . .  and that’s get groomed.

I learned early on that I couldn’t spell groom without r-o-m-o.  I love it when her black and white dog-fro gets Angela Davis-big, but she attracts more shmutz than a new Swiffer mop.  I am happy with the groomers we use, but thought a mobile groomer might work better during the pandemic. Kind of like grooming–in-place. 

The groomer had some new-age name that I couldn’t understand through her mask. I told her I wanted Romo’s hair to be real short, except for the flounce on her tail and her little puppy ears. 

Be careful what you ask for. An hour later, the new-ager texted me and I went to get the princess. After we had a contact-less exchange of card, she opened the van door and out popped a pup who looked so different that I thought it wasn’t my Romo. She looked like a Chihuahua and a hairless toy poodle had mated, and it was clear why Poohuahuas never became popular. 

I couldn’t stop laughing. I’d always said that Romo was so cute that she could never get a bad hair-cut, but this was the worst Doodle ‘do ever. Even I was embarrassed for her.

The day after her shearing, the temperature in usually mild San Francisco reached triple digits. I knew Romo was lots more comfortable with her short hair and this helped to mitigate my previous day’s thoughts that I had been a bad dog mom.  As to Romo, this is a dog that hoovers the floor for food bits and then licks her nose or toes or you know. That said, there’s no embarrassment emoji in her dog world.

LGBTQ+ Community Mourns the Passing of Aging Services Pioneer Hadley Dale Hall

Media contact:
David Perry & Associates, Inc. / David Perry / news@davidperry.com / (415) 676-7007

LGBTQ+ Community Mourns the Passing of Aging Services Pioneer Hadley Dale Hall

14 August 2020 — SAN FRANCISCO, CA: San Francisco has lost a towering figure in aging services and a leader in the LGBTQ+ community with the death of Hadley Dale Hall, 87, who passed away August 10, following a short illness.

Retired CEO of the Visiting Nurses and Hospice Program in San Francisco, Hall founded San Francisco Home Health Services, a non-profit organization, where he developed the groundbreaking 30th Street Senior Center in 1976.  He formed comprehensive programs for the elderly such as home delivered meals, congregate meals, adult day health and home care, all while advocating for living wages and better working conditions for home health aides and homemakers.  

He also created Coming Home Hospice, the first residential AIDS hospice in the country.  The program provided care and support for both people with AIDS and those with other terminal illnesses.

His legacy includes major contributions to address ageism and homophobia in city services, especially those expressly designed for seniors.  Since his retirement in 1986, Mr. Hall had been an active adviser and volunteer with non-profit aging organizations On Lok and Openhouse, where he served as a long-time foundational board member. He was instrumental in bringing the dream of a LGBTQ+ senior community to life at the Openhouse campus on Laguna Street, according to Dr. Karyn Skultety, Openhouse Executive Director.

“Hadley was a beloved figure in the LGBTQ+ senior community in San Francisco, and his legacy lives on at Openhouse,” said Dr. Skultety.  “He selflessly contributed his experience, grit and determination to help LGBTQ+ seniors age comfortably at home rather than go back into the closet at often unwelcoming nursing homes.”

Dr. Marcy Adelman and the late Jeanette Gurevitch founded Openhouse in 1998, providing housing, social services and community for LGBTQ+ seniors.  Mr. Hall became a board member in 2004, served on the board through 2017 and remained actively involved as a key advisor as a board alumnus.

“Hadley was an extraordinary advocate for seniors. He was a mentor, teacher and friend not only to me, but to all Openhouse board members and staff,” Dr. Adelman said.  “As a leader, he was both generous and fierce–generous with his time, praise and compassion and fierce in his advocacy and drive to see that seniors receive the best care possible and then some. We loved him.”

His passion to provide comprehensive senior services to the LGBTQ+ community and his selfless dedication to improving the lives of LGBTQ seniors continues to inspire and define the work at Openhouse, according to Tim Sweeney and Nanette Miller, Co-Presidents of the Openhouse Board of Directors.

“Our organization and services reflect Hadley’s strength and spirit, and we pay tribute to his many hours of effort and selfless contributions toward the mission and success of Openhouse.  We are so sorry we have lost Hadley. What a champion for seniors, LGBT people and Openhouse,” said the Board Co-Presidents.

Mr. Hall is survived by his husband of nearly 60 years Warde Laidman, and a sister, Carmela Sanders, of Beaverton, OR, as well as many nieces and nephews. On Lok and Openhouse will observe a celebration of Mr. Hall’s life at the new Openhouse Community Center in 2021 after it is safe to gather socially.  A bronze tribute already cast in his honor and planned for the new Openhouse Community Center now becomes a memorial, and will be unveiled at the celebration of Mr. Hall’s life, Dr. Skultety said.

San Francisco’s Letterform Archive Presents “A Conversation with Emory Douglas”

Media Contact: David Perry & Associates, Inc/David Perry
(415) 676-7007 / news@davidperry.com  

San Francisco’s Letterform Archive Presents “A Conversation with Emory Douglas”

Thursday, August 27 – 12pm (Pacific Time)
Online Event via Zoom

Legendary Minister of Culture for Black Panthers in Rare Live Conversation

https://letterformarchive.org


12 August 2020 — San Francisco, CA: In 1968, what would become an iconic communications vehicle for communities of color and the disenfranchised was born in the Bay Area.  The Black Pantherwould go on to influence activism, artists and political discourse for decades to come. Now, 50 years later in another tumultuous year of racial and societal reckoning San Francisco’s nonprofit Letterform Archive offers a rare opportunity to speak and interact live with the newspaper’s designer and artistic guiding force Emory Douglas. The online “Zoom” discussion will take place on Thursday, August 27 at 12pm Pacific Time via registration at www.letterformarchive.org. 

“There has always been a level of serendipity to the work we do,” says Rob Saunders, founder and executive director of Letterform Archive. “This most significant of summers in two generations has brought Black Lives Matter to the forefront, a perfect opportunity for us to speak with, and learn from, one of the giants of graphic activism, Emory Douglas.”A  Bay Area legend and Minister of Culture for the Black Panther party from 1967 to the early 1980s, Douglas chronicled his community’s response to policy brutality, racism, and economic injustice through his artwork for The Black Panther.  Letterform Archives holds over 100 issues of the newspaper. The presentation will show original prints of Douglas’s posters and covers while he describes his creative process, his experience with the Black Panthers, and how this work relates to today’s movements for social justice.“Our work has always been about expanding education through graphics and printed art,” said Stephen Coles, Associate Curator and Editorial Director at San Francisco’s Letterform Archive, who will moderate the interview. “The San Francisco Bay Area has always been a beacon for the alternative press.  It is hard to over-estimate the impact of Douglas’ work, and the Black Panther, on activist media.”

Letterform Archive’s Salon Series is a monthly event featuring a member of the staff — or a guest expert — taking a deeper dive into specific collections or themes within the Archive. Salons feature a live overhead camera so our audience can experience the objects as they would in person. 

“It’s a unique chance to discuss the work we love while showing the objects themselves,” says Saunders, noting that salon video recordings are available to Letterform Archive members.

Emory Douglas was born May 24, 1943 in Grand Rapids, Michigan but grew up in the San Francisco Bay Area.  As the Minister of Culture for the Black Panther Party from 1967 until the Party disbanded in the 1980s, Douglas’ graphic art was featured in most issues of The Black Panthernewspaper which had a peak circulation of 139,000 per week in 1970.  As the art director, designer, and main illustrator for The Black Panther, Douglas created images that became icons, representing black American struggles during the 1960s and 1970s. In later years, Douglas contributed to a number of publications including the respected African American community newspaper The San Francisco Sun Reporter. Now retired, Douglas still works on freelance projects of importance discussing topics such as black on black crime and the prison industrial complex. 

During its five-year history, Letterform Archive has welcomed over 10,000 visitors from 30 countries, including students, practitioners, and letterform admirers from every creative background. Later this year, the Archive will move into a new, expanded building, providing more hands-on access, when such access is once again available. Meanwhile, the organization is offering many workshops, lectures, and other programs online at lettarc.org/events.

Laura Meseguer Hosts Four-Day Online Stencil Type Design Workshop with Letterform Archive September 26 & 27

Media Contact: DP&A, Inc. /David Perry (415) 676-7007 / news@davidperry.com

Laura Meseguer Hosts Four-Day Online Stencil Type Design Workshop with Letterform Archive September 26 & 27

Award-Winning International Graphic & Type Designer from Spain
Marks the Archive’s First Class Taught Internationally

All Summer Programming – including one-on-one instruction – offered online

www.lettarc.org/events

WHO:   Letterform Archive, the San Francisco based type and graphic design Nonprofit and Laura Meseguer, award-winning international graphic and type designerfrom Spain, the first international instructor who has taught for Letterform.

WHAT: Stencilmania: Understanding Type Design as a Tool for Graphic

Designers with Laura Meseguer. Stencil Type Design has been proven as a great way to explain and practice the principles underlying the design of typefaces.

WHEN: Saturday, September 26: 10am – 6pm PDT 

Sunday, September 27: 10am – 6pm PDT

WHERE:    Online Workshop via Zoom.  Register at:www.lettarc.org/events

(Registration is required for the private Zoom link and password.)

DETAIL: In this four day online intensive workshop, Laura Meseguer will offer 10 participants the possibility of creating the main characters of an alphabet constructed with a limited amount of elements. Participants will design typographic characters to compose a word, a message or a logo, that will serve later, to cut out stencils in a resistant material to be painted or printed. 

“We’re excited that we can host our in-person workshops online, allowing us to reach our community of designers beyond the SF Bay Area,” said Grendl Löfkvist, Type West Education Director. “And a bonus for our activist participants: Laura’s method gives you the skills to quickly make protest posters powerful enough to bring down the regime!”

Learning Outcomes:

  • To understand and practice the principles underlying the design of typefaces.
  • Set the basis for creating a full alphabet from a few existing characters.
  • Reflect on the role of typography in the field of identity and experience the design of custom types. All together can be understood as ‘type design as a tool for designers.    

COST & REGISTRATION: $360; Register at LetterformArchive.org/events. Class size is limited to 10 participants to provide individual attention to each student and 1:1 communication between the instructor and the students.    

About Letterform Archive:
Letterform Archive is a nonprofit library and museum based in San Francisco that collects, preserves, and provides first-hand access to materials related to the history of graphic design and uses them to educate and inspire students and designers.

Radical accessibility is core to the Archive’s mission. The Online Archive was launched in April 2020 to reach designers and students beyond the Archive’s home in San Francisco. The Online Archive is free and open to all for the purpose of preserving design and making a unique collection of historical and rare items accessible to anyone who loves letters.

The Archive presents exhibits, hosts salons and lectures, publishes books, and offers courses in type design, typography, and other letter arts. For more information, visit LetterformArchive.org. Stay connected to the Archive: @Lett_Arc on Twitter, @LetterformArchive on Instagram, and facebook.com/letterformarchive.

About Laura Meseguer:
Laura Meseguer is a freelance graphic and type designer born in Barcelona. Her studio works for international and domestic clients but also in self-initiated projects, through her own type foundry, Type-Ø-Tones, she publishes and promotes her type design. Since she took the Type&Media masters course in The Hague, she has been teaching and giving talks and workshops around. As a typographer and type designer, she is specialized in all sorts of projects involving custom lettering and type design, for branding and publishing design. For her personal practice, she gets the inspiration from what is around and focuses on projects that mix that with her own vision of type and lettering, exploring the expressivity of letterforms.She is the author of TypoMag. Typography in Magazines, published by IndexBook and co-author of the book “Cómo crear tipografías. Del boceto a la pantalla”, published by Tipo e in Spanish and translated into Polish, Portuguese, English, and Chinese. Since 2017 she is a member of the ATypI board.

17th Annual International Ocean Film Festival Continues Virtually with Reconnecting Summer 2020

Media contact: David Perry & Associates, Inc. (415) 676-7007 / news@davidperry.com  

By Popular Demand Extended One Week ‘til August 16!

17th Annual International Ocean Film Festival Continues Virtually with

Reconnecting Summer 2020

Featuring all 54 Films, plus online panels, discussions and audience Q&A
July 30 – August 16

http://www.intloceanfilmfest.org/

2021 Festival Slated for In-Person Viewing March 11 -14, 2021

6 August 2020 – San Francisco, CA. Not even finished with its original run, the 17th Annual International  Annual Ocean Film Festival’s First-Ever Online Virtual Presentation – Reconnecting Summer 2020 – announces a one week extension. Originally slated to end August 9, the virtual experience showcasing all of the official selections of this year’s films will now continue through Sunday August 16.   In addition to the online screenings of all 54 films during the unprecedented now 18-day event, the festival will host livestream interviews, Q&A sessions and panel discussions with filmmakers.  Tickets and information are available on the Virtual Film Festival page at www.intloceanfilmfest.org/ioff2020

“The response has been overwhelming,” said Ana Blanco, Executive Director of the International Ocean Film Festival.  “Next year for our 18th Annual Festival, currently slated for March 11 – 14, 2021, we plan on offering a combination of in-person and virtual online experience. These past few months have shown us how to connect with new audiences around the globe, helping us save the world’s oceans one film at a time.”

The virtual festival includes feature length films, a new program of 14 shorts and nine themed programs: Adventure & Ocean Sports; Coastal Culture; Environment & Conservation ; Innovations in Ocean Sustainability; CineMare International Ocean Film Festival Kiel, Germany; Marine Sciences and Wildlife; Sharks; Surfing and Whales. All films will be eligible for a first ever Global Audience Choice Award – which will now be announced on Sunday, August 16, 2020.

Prices for the Reconnecting Summer 2020 virtual film festival are: Feature Films: $10; Themed Programs: $12; Shorts Program: $12; Special Screening: Pay what you can.  Festival passes are available at the following levels:

  • All Access VIP Pass: $100: Includes access to watch all 10 feature films, nine themed programs, shorts program, special screenings and Q&As throughout the duration of the virtual film festival.
  • Blue Whale Pass: $60 Includes access to watch each of the nine themed programs.
  • Sea Turtle Pass: $45 Includes access to any five feature films and three themed programs of the viewer’s choice.

Since its launch in 2004, the San Francisco-based International Ocean Film Festival has attracted thousands of spectators of all ages from around the world, including film enthusiasts, sea athletes, educators, and environmental activists. Since then, the Festival has presented over 600 films from 50 different countries and featured post-film Q&A sessions with visiting filmmakers, special panel discussions with content experts, and the Annual Free Student Education Program. It was the first event of its kind in North America, inspired by the well-established ocean festival in Toulon, France, which has continued to draw large audiences for more than 40 years.

Current sponsors for the 17th Annual International Ocean Film Festival include National Marine Sanctuary, BigBus of San Francisco, Gray Line Tours, SSA, Alcatraz Cruises, the Port of San Francisco, the Consul General of Canada, Blue and Gold Ferry, RBC Wealth Management, Heidrick & Struggles, Pacific Gas & Electric, Troutman Sanders LLC and newly onboard is RingCentral.

The International Ocean Film Festival encourages its patrons, supporters and partners to follow the most current advice from the Center for Disease Control and the World Health Organization for preventing the further spread of the COVID-19 in Northern California and beyond, and to stay tuned for announcements about International Ocean Film Festival events once the threat level is reduced. The 18th Annual International Ocean Film Festival is currently scheduled to take place March 11 – 14, 2021 at San Francisco’s Cowell Theatre at Fort Mason Center for Arts and Culture. The International Ocean Film Festival is a registered 501(c) 3 non-profit. www.intloceanfilmfest.org and social at: