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Author: Alfredo Casuso

2026 Media Pitches from David Perry & Associates, Inc.

2026 Media Pitches from David Perry & Associates, Inc.

DP&A Pitch Graphic

Ahoy and Happy Holidays! As we approach the new year, I wanted to let our journalistic colleagues know what we’ll be representing as we head into 2026.

very best,

David Perry

news@acasusodavidperry-com
cell (415) 676-7007

Author John McFadden and his new book “Enlightened Empathy” about how to combat “Trump and Trumpism” and a country in crisis with empathy.

https://www.davidperry.com/newsroom/enlightened-empathy-by-rev-john-mcfadden-debuts-on-amazon.html

Yerba Buena Center for the Arts 2026 Season, including 

U.S. premiere of The Prince of Homburg, a major solo exhibition by internationally acclaimed artist P. Staff, curated by Jeanne Gerrity. Opening January 17, 2026, the exhibition features a 23-minute video installation and sculptural works examining freedom, state control, and the pressures placed on queer and trans bodies today.

https://www.davidperry.com/newsroom/ybca-spring-2026-season-celebrates-fierce-imagination-and-queer-trans-artistry.html

The Grand reopening of the Castro Theatre in February 2026 with a month-long residency by Sam Smith. Other pre-opening events will be announced within the coming weeks.

https://thecastro.com/

Best-selling author and LGBT philanthropist Tom LeNoble’s new book, “My Life in Business Suits, Hospital Gowns & High Heels” chronicles his life as a tech pioneer (one of Facebook’s first 75 employees), international thought leader and award winning speaker.

https://www.tomlenoble.com

Capricorn Framing and Walter Adams Framing. Under the ownership of Lloyd Haddad and Keith Wicker (gay veteran) they exemplify world-class craftsmanship and inclusive leadership in the fine art framing world. With Capricorn’s strong reputation as a trusted San Francisco framer and the acquisition of the historic Walter Adams brand, Lloyd and Keith are redefining excellence in custom framing — blending museum-quality technique with a modern, community-minded vision. Plus, as small business people, they are well placed to discuss the impact of the Trump tariffs on their business.

https://www.davidperry.com/clients/capricorn-walter-adams-framing

Bay to Breakers: David Perry & Associates, Inc. is once again proud to represent everyone’s favorite San Francisco Event, the world’s wackiest running race: Bay to Breakers, taking place on Sunday, May 17, 2026. 

https://www.baytobreakers.com

The Hilton Union Square & Parc55

Recently sold, these two iconic hospitality providers are poised to San Francisco’s accelerating tourism upswing.

https://www.hilton.com/en/hotels/sfofhhh-hilton-san-francisco-union-square

Breanna Sinclairé: one of the foremost operatic sopranos in the world who is transgender. 

https://www.davidperry.com/clients/breanna-sinclaire

The Union Square Alliance: The “Heart” of The City and “heartbeat” of the tourism industry.

www.visitunionsquaresf.com

The Rainbow Honor Walk: The World’s First LGBT “Walk of Fame” in San Francisco’s Castro District.

www.rainbowhonorwalk.org

A Holiday Gift Guide from Walter Adams Framing

A Holiday Gift Guide from Walter Adams Framing

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A Thoughtful Holiday Gift Guide from Walter Adams Framing

Not sure what to wrap? These timeless options turn memories into art and will last well beyond the holidays.

Custom Framing Gift Cards
A gift card lets your loved ones choose the perfect frame for artwork, photographs, or cherished keepsakes—expertly crafted to suit their style and space. Purchase a gift card here from our website.

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Photo Frames
A beautiful frame is a gift in itself. We offer a curated selection of table top frames and classic photo frames. View frame brands on our website or visit one of our locations to browse in person.

Why They’ll Love It
These are gifts that are personal, practical, and designed to be enjoyed every day. Thoughtful, lasting, and never out of style.

Happy Holidays!
— Keith Wicker & Lloyd Haddad 

https://walteradamsframing.com

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Upon This Rock: A Delicious Holiday Read

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This Holiday, dig into a critically acclaimed, award winning, best-selling read: “Upon This Rock” by David Eugene Perry.

Set during the Christmas Season in the magical Italian hilltop town of Orvieto, “Upon This Rock” is a delicious literary feast that pairs well with all vintages.

Currently in screenplay development and now in its second printing as the best-selling title ever for Pace Press / Quilldriver Books, this “elegant, twisty thriller” (Armistead Maupin) is “giddy with assassins, terrorists, shady priests, human trafficking, and megawatt conspiracies” (Kay Kudukis, Palm Springs Life) with “two detectives as sharp as Sam Spade and with the wit of Nick and Nora Charles” (Will Snyder, Bay Area Reporter). “Upon This Rock is fabulous. I can’t wait for the movie” (Jan Wahl, Emmy Award Winning Hollywood Reporter).

WINNER: Independent Book Publishers Association (IBPA)

WINNER: San Francisco Book Festival

Get your copy at your favorite independent bookstore in San Francisco like the Best Bookstore in Union Square, Green Apple Books, Books, Inc or Fabulosa Castro!

Or on Amazon — instant ebook for Kindle or print — at the link below:

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The Marimba: Mesoamerica Music

The Marimba: Wood, Warmth, and the World in Resonance
— by David Eugene Perry

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16 December 2025, Puerto Chiapas & Tapachula, Mexico: Today on tour in Tapachula, we were treated to a local group of musicians playing marimbas. One of the Seabourn Encore guests asked me if I knew anything about them, and specifically what sort of wood was used in their construction. Being an intrepid historian and lecturer, I said, “No — but I’ll find out.” Below: what I discovered today. Fascinating musical history.

Few instruments feel as organic and architectural as the marimba. Built of carefully shaped wooden bars suspended over resonators, it is at once percussive and lyrical — an instrument that sings through wood.

The marimba’s story begins in Mesoamerica, particularly in southern Mexico and Guatemala, where early versions were crafted from local hardwoods and paired not with wooden boxes or metal tubes, but with natural gourds. Each gourd was carefully selected and sized to match the pitch of the bar above it, amplifying the sound in a warm, rounded way. These gourd-resonated marimbas were communal by nature — instruments of ceremony, celebration, and storytelling — their voices earthy, intimate, and deeply rooted in indigenous tradition.

This design also hints at a broader cultural conversation. The use of tuned gourd resonators closely parallels African balafons, suggesting a fascinating convergence of indigenous American practices and African musical traditions that arrived later through the Atlantic world. Even today, in parts of Chiapas and Oaxaca, echoes of these early designs survive in folk and ceremonial marimbas.

At the heart of the modern marimba, however, lies Honduran rosewood, prized for its density and tonal warmth. When struck, each bar releases a deep, glowing resonance — round, sustained, and complex. As the wood ages, its voice matures, giving fine marimbas a near-living quality that performers come to know intimately.

Beneath the bars, contemporary instruments typically use wooden or metal resonator tubes, replacing the fragile gourds of earlier centuries while preserving the same acoustic principle. These resonators amplify and focus each pitch, turning a simple strike into a full-bodied note capable of filling a concert hall. Unlike the brighter xylophone, the marimba speaks in low, human tones — capable of rhythmic drive, but also of surprising tenderness.

From traditional ensembles in southern Mexico and Central America to modern concert stages and jazz clubs around the world, the marimba remains an instrument of bridge-building — between rhythm and melody, folk tradition and formal composition, craftsmanship and performance.

It is, quite literally, music shaped from wood — patiently carved, carefully tuned, and resonating with centuries of cultural memory long after the final note fades.

YBCA opens acclaimed video installation & free programs during 2026 San Francisco Art Week

Media Contacts:

Lauren Macmadu / (415) 350-1884 / lmacmadu@ybca.org 
David Perry / (415) 676-7007 / news@davidperry.com

YBCA to open acclaimed video installation, present immersive dance performance, and host a week of free programs during 2026 San Francisco Art Week

The multidisciplinary lineup invites the Bay Area to experience contemporary art that is moving, challenging, and deeply relevant

16 December 2025 – San Francisco, CA: Yerba Buena Center for the Arts (YBCA) will open its doors free to the public, January 17-25, 2026 from 11am – 5pm, presenting a powerful slate of exhibitions, performances, artist conversations, and community programs during San Francisco Art Week. Together these experiences invite audiences to encounter contemporary art that reflects the pressures, hopes, and cultural complexities shaping life in the Bay Area today.

YBCA’s SF Art Week participation reflects the institution’s commitment to supporting artists whose work speaks directly to the needs and complexities of the present moment. From the U.S. premiere of P. Staff’s The Prince of Homburg, to intergenerational discussions on the evolution of Bay Area artistic practice, to civic activation supporting immigrant communities, the week underscores the power of creative expression in helping us understand and reshape the world we inhabit. 

“At YBCA, we champion artists whose practices expand our sense of possibility and deepen our collective imagination,” said Mari Robles, CEO of YBCA. “San Francisco Art Week is a chance to celebrate the extraordinary creativity of our region and to uplift the voices shaping our cultural and emotional landscape. We’re thrilled to welcome our community into a week of experiences that spark connection, reflection and joy, and that resonate far beyond our city.”

The week begins on Saturday, January 17, with the U.S. premiere of The Prince of Homburg, a major solo exhibition by internationally acclaimed artist P. Staff, curated by Jeanne Gerrity, opening to the public at 11am. The exhibition features a 23-minute video installation and sculptural works examining freedom, state control, and the pressures placed on queer and trans bodies today. 

Also on view throughout San Francisco Art Week is Bay Area Then, a major group exhibition featuring work by 21 artists who helped shape a new creative legacy for the Bay Area in the 1990s. With monumental wall installations, stunning photographic portraiture, and a labyrinthine passage that culminates in an outdoor stage, the exhibition offers artists space to speak with urgency, conviction and clarity. As part of the exhibition, YBCA will present the Bay Area Then & Now Poetry Reading at 12pm on Saturday, featuring poets Kevin Dublin, Magick Altman, and Tongo Eisen-Martin, whose work reflects the creative and emotional landscapes of the region.

On Wednesday, January 21 from 2pm –4pm, YBCA will host a free, all-ages art workshop, Cityscape Diorama, inviting participants to build imaginative dioramas inspired by their own cities or neighborhoods. Drawing from the shapes, textures, and everyday landmarks that make a place feel meaningful, the workshop encourages visitors to reflect on the environments they call home. The program is inspired by artist Margaret Kilgallen’s work in YBCA’s Bay Area Then exhibition and offers an accessible entry point into the creative process.

The momentum builds on Friday, January 23, beginning with Yerba Buena Museums Day from 10am–11:30am, featuring early gallery access and complimentary coffee and pastries. Also at 10am, YBCA will host a special tour of The Prince of Homburg with Gerrity and P. Staff. 

That evening, YBCA will host a Prince of Homburg Opening Celebration from 5pm–7pm (RSVP required), followed by the ticketed opening night performance of Liss Fain Dance’s End Point | Open Time at 7:30pm, making the debut of the immersive installation that runs throughout the weekend. All Liss Fain Dance performances are paid, ticketed events, with additional shows on Saturday, January 24 and Sunday, January 25.

On Saturday, January 24 at 12pm, YBCA will present a public conversation featuring P. Staff, UC Berkeley professor Mel Y. Chen, and art historian Mara Hassan, moderated by Gerrity. A tour of the exhibition with P. Staff and Jeanne Gerrity at 1 PM will follow, offering deeper insight into the exhibition.

The week concludes on Sunday, January 25 with a civic activation by the Sanctuary City Project, presented in collaboration with Refugee and Immigrant Transitions (RIT). From 12pm–4pm, visitors are invited to participate in the design, printing, and sale of 100 limited-edition tote bags emblazoned with the message “I AM AN IMMIGRANT.” Proceeds will support RIT’s free education, family engagement, and community leadership programs for individuals who have sought refuge from war, violence, persecution, or economic hardship. This activation extends Sanctuary City Project’s longstanding commitment to use art as a catalyst for dialogue and social justice, transforming a simple object into a powerful expression of identity, solidarity, and shared humanity. A final ticketed performance of Liss Fain Dance at 2 PM closes the week.

“Artists help us see and understand the world with clarity and courage,” said Dorothy Davila, Chief of Curatorial Initiatives at YBCA. “The works featured throughout San Francisco Art Week demonstrate how creativity becomes a form of resilience and a tool for reimagining what is possible. These artists invite us to consider not only how we live now, but how we might build more connected and equitable futures together.”

Across the nine days, YBCA becomes a place where inquiry, dialogue, and collective imagination take center stage. Through these exhibitions, performances, and civic activations, YBCA invites the Bay Area to reflect on what it means to belong, to create, and to shape the soul of a changing region.

YBCA programs are made possible in part by Blue Shield of California, the City and County of San Francisco, The Yerba Buena Gardens Conservancy, The William and Flora Hewlett Foundation, Institute of Museum and Library Services (IMLS), San Francisco Office of Economic and Workforce Development, Bloomberg Philanthropies, The Svane Family Foundation, Helen Frankenthaler Foundation, James R. Lilienthal Trust, California Arts Council, Yerba Buena Partnership, Meridee Moore, Beard Family Foundation, Schwab Charitable Fund, Gaia Fund, David and Carla Crane Foundation, Andrew Skillman and Lydia Choy Charitable Fund, Amy and Hannah Eliot, Maria Kim, Tides Foundation, Wayee Chu and Ethan Beard, Amanda Minami, Klau Family Fund, Peter Rigano and Cody Hicks, Harvey and Leslie Wagner Foundation, Robert and Junko Kenmotsu, The San Francisco Foundation, The Ron Conway Family, and YBCA Members.

For more information visit www.ybca.org.

About YBCA:

Opened to the public in 1993, Yerba Buena Center for the Arts (YBCA) was founded as the cultural anchor of San Francisco’s Yerba Buena Gardens neighborhood. Our work spans the realms of contemporary art, performance, film, civic engagement, and public life. By centering artists as essential to social and cultural movement, YBCA is reimagining the role an arts institution can play in the communities it serves. For more information, visit ybca.org.

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