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Author: Alfredo Casuso

YBCA Spring 2026 Season “Celebrates Fierce Imagination and Queer & Trans Artistry”

Media Contacts:
Lauren Macmadu / (415) 350-1884 / lmacmadu@ybca.org 
David Perry / (415) 676-7007 / news@davidperry.com 

YBCA Announces Spring 2026 Season Elevating Art
At The Intersection of Identity and Imagination

Featuring exhibitions by renowned artists and guest curators, alongside collaborations with the GLBT Historical Society and Queer Ancestors Project, the season celebrates 

fierce imagination and queer and trans artistry. 

19 November 2025 – San Francisco, CA: Yerba Buena Center for the Arts (YBCA) today announced its Spring 2026 exhibition season, a bold slate of exhibitions connected by ideas of identity, resilience, and liberation. Featuring solo exhibitions by internationally acclaimed artists Diedrick Brackens and P. Staff, and the group exhibition Conjuring Power: Roots & Futures of Queer & Trans Movements, the season reaffirms YBCA’s role as a leading Bay Area institution where art, activism, and creative expression converge.

“At a time when creative freedom is increasingly under attack, YBCA is committed to presenting work that embodies courage, conviction, and humanity,” said Mari Robles, CEO of YBCA. “This season of exhibitions at YBCA uplifts bold voices that demand we pay attention to a multiplicity of liberating truths. Whether directly confrontational or tenderly defiant, these artists speak with beauty and power.”

The Prince of Homburg by P. Staff

Curated by Jeanne Gerrity; Opening in January 2026

On view for the first time in the United States, The Prince of Homburg reflects on freedom, repression, and queer and trans identity through prints, sculpture, and a dreamlike video installation. Loosely inspired by Heinrich von Kleist’s 1810 play, P. Staff explores exhaustion as a response to structural oppression. 

Diedrick Brackens

Curated by Eungie Joo; Opening in March 2026

For his first solo exhibition in the Bay Area, Diedrick Brackens presents recent and new works that consider tenderness, migration, and connections with the natural world. Brackens’ jarring and psychedelic color combinations expose a changing aesthetic and signal a contemplative turn in the artist’s textile works.

Conjuring Power: Roots & Futures of Queer & Trans Movements

Curated by Tina Valentín Aguirre and Caro De Robertis; Opening in March 2026

A blend of art, archive, and imagination, this multimedia exhibition explores the resilient beauty, cultural richness, and fierce resistance of Bay Area queer and trans communities. The exhibitionfeatures works by Ester Hernández, Serge Gay Jr., Tanya Wischerath, Crystal Mason, and emerging artists from the Queer Ancestors Project. It also includes archival materials from the GLBT Historical Society and audio from Caro De Robertis’s I See My Light Shining oral history project. Through the prism of these visionary sources, Conjuring Power provides a fresh look at queer legacies and possible futures. 

“These exhibitions highlight the power of artists to transform material and narrative into striking visual worlds,” said Dorothy Dávila, Chief of Curatorial Initiatives at YBCA. “Whether through P. Staff’s immersive installation, Diedrick Brackens’ evolving textile practice, or the layered works in Conjuring Power, each presentation expands how we see and understand contemporary art today.”

Extending the season’s spirit of reflection and transformation, YBCA will also present End Point | Open Time, an immersive, multi-sensory performance installation by Liss Fain Dance. Presented in YBCA’s Forum, the installation’s architecture and sound score hold the audience and dancers inside an altered space. The dance moves through the structure and shifting light, revealing moments of solitude, exuberance and the humanity we recognize in each other. Shaped by Fain’s travels to the Arctic and by the stark clarity of Louise Glück’s writing, the work deepens the season’s focus on freedom, connection, and the imagination that gives meaning to both. 

Conjuring Power: Roots & Futures of Queer & Trans Movements is made possible with support from TheBob Ross Foundation.

YBCA programs are made possible in part by Blue Shield of California, the City and County of San Francisco, The Yerba Buena Gardens Conservancy, The William and Flora Hewlett Foundation, Institute of Museum and Library Services (IMLS), San Francisco Office of Economic and Workforce Development, Bloomberg Philanthropies, The Svane Family Foundation, Helen Frankenthaler Foundation, James R. Lilienthal Trust, California Arts Council, Yerba Buena Partnership, Meridee Moore, Beard Family Foundation, Schwab Charitable Fund, Gaia Fund, David and Carla Crane Foundation, Andrew Skillman and Lydia Choy Charitable Fund, Amy and Hannah Eliot, Maria Kim, Tides Foundation, Wayee Chu and Ethan Beard, Amanda Minami, Klau Family Fund, Peter Rigano and Cody Hicks, Harvey and Leslie Wagner Foundation, Robert and Junko Kenmotsu, The San Francisco Foundation, The Ron Conway Family, and YBCA Members.

For more information visit www.ybca.org.

About YBCA:

Opened to the public in 1993, Yerba Buena Center for the Arts (YBCA) was founded as the cultural anchor of San Francisco’s Yerba Buena Gardens neighborhood. Our work spans the realms of contemporary art, performance, film, civic engagement, and public life. By centering artists as essential to social and cultural movement, YBCA is reimagining the role an arts institution can play in the communities it serves. For more information, visit ybca.org.

YBCA is open Wednesday through Sunday from 11:00am to 5:00pm. General admission is $10, and $5 for students and seniors. Admission is free every Wednesday. For tickets and information, visit ybca.org.

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Cruise of the Kings

Cruise of the Kings

— by Bill “Mr. Ocean Liner” Miller

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Royal Voyage!  Even the exiled king & queen of Italy were together with their four children when they took part in the Mediterranean/Greek isles cruise purposely organized by Queen Frederica and her husband King Paul of Greecein 1954. It became known as the “Cruise of the Kings”.  It was attended by over 100 royals from all over Europe. But since the ship’s voyage began in Naples, the Italian royal family could only board later, in Corfu in Greece, as they were not allowed to set foot on Italian soil. Nevertheless, on this trip, their daughter Princess Maria Pia met her future husband, Prince Alexander of Yugoslavia.   After all, the cruise was partly meant by Queen Frederica to be “royal meet and match”.

The year-old, 5,500-ton Agamemnon (seen below on the left), built at Genoa in 1953 as wartime reparations to Greece, and its twin sister Achilleus, were created purposely for regular service across the Eastern Med – alternating from Venice to Brindisi, Piraeus, Alexandria, Limassol, Beirut, Alexandria, Piraeus, Naples & Marseilles and then reversing.   

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Accurately, the 416-ft long sisters were hardly overly luxurious, but they were comfortable. They were owned by shipping tycoon Petros Nomikos (the Nomikos Lines), a loyal friend to the Greek king and queen.   He canceled a regular voyage and chartered the 17-knot ship to the royal couple.  

The Second World War had “ruptured” relations between Europe’s royal families and so German-born Queen Frederica (she was a granddaughter of the last Kaiser, in fact) saw it an ocean-going “reunion”.   

Furthermore, as European tourism resumed, the strong-willed Queen wanted to promote Greece as a tourist destination.   The cruise was actually underwritten by monies the late shipownerEugen Eugenides (Home Lines) had left Frederica for the promotion of “international tourism in Greece”.  Frederica also saw the cruise as a way that enabled young European royals to meet & perhaps marry.

The two Nomikos passenger ships normally carried just over 400 passengers – 150 in first class, 150 in second class and 100 in lower-deck tourist class.   Each ship had 5 suites with full bathrooms and sitting rooms;   otherwise, only some of the remaining first class cabins had private shower & toilet only and none in second class. How the royals were assigned their accommodation is uncertain.  But there was no shortage on the guest list.

Altogether, there were 104 royals – some quite junior, others quite elderly – onboard.   The British royal family was among those that politely declined, but the likes of Queen Juliana of the Netherlands (and the future Dutch queen, Princess Beatrix) happily accepted.  So did Grand Duchess Charlotte of Luxembourg.   The Swedish & Danish royal families joined with the former kings of Rumania, Bulgaria and aforementioned Italy.  

Then there were long lists of princes & princesses, dukes & duchesses and below.   Dining room table assignments were changed each day as well as well-planned shore excursions in each port. The full itinerary read:  Marseilles, Naples, Corfu, Rhodes, Santorini, Mykonos, Skiathos, Cape Sounion and finally Piraeus (for Athens).  

The cruise was dubbed successful and repeated two years later, but on sistership Achilleus.  

Post Script:   Just in case, you are interested further:  In 1958, the Agamemnon & Achilleuswere sold to Olympic Cruises, a new cruise firm created by another Greek tycoon:  Aristotle Onassis.     But it was rather shortlived:   Onassis pulled out of cruising in 1963 and the ships were sold to Dorian Cruises, also Greek.

The Agamemnon capsized at her Piraeus berth in 1968.   Later salvaged, she was laid-up and then scrapped in 1974.  The Achilleus was  soldto Kavounides Shipping Company in 1968 and refitted as their Orion (seen below).  It was scrapped in 1998.

Epstein’s “Take Down” of Trump and an Empathetic Alternative

Epstein’s “Take Down” of Trump and an Empathetic Alternative
by Rev. John McFadden

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It’s reasonable to suspect that the Epstein files contain notes indicating that, in 1994, Jeffrey Epstein saw Donald Trump forcibly raping a 13-year-old girl in Epstein’s New York City mansion. That would qualify as confirmation for Epstein’s belief that he had information that would “take down” Trump.

The suspicion is reasonable, because credible evidence of not only the alleged rape but also Epstein’s presence during it exists. Court-filed depositions of an eyewitness to the alleged rape and what’s called a hearsay witness are key. There’s also a transcription of a 29-minute video tape of the alleged victim telling her story in the kind of detail that persuades police investigators. If this evidence does ruin Trump politically, he might be amenable to a compassionately intended intervention for him.

Challenges to the validity and presumed effect of the rape allegation exist, but I offer counters to them. To begin, a few District Attorneys I consulted and many lay people responded, “So what, Trump’s sexual violations are already well known.” But that misses the point that all the other cases are about adults, not a girl one year out of childhood. And violent rape of a minor is exponentially more inflammatory.

Some lawyers I consulted added another “So what,” saying that the statute of limitations on this case ran out long ago. But apparently unknown even to the alleged victim’s attorneys, the law in New York City states that the statute of limitations on forcible rape of a minor never runs out. And the possibility that the alleged victim could at any time make a claim to a prosecutor might move Trump to cut his losses and submit to what could be, in every sense of the word, an enriching transformation process.

Other critics dismissed this story when it first became known in mid-2016, partly because the alleged victim, known by the pseudonym Katie Johnson, was represented by an obviously underqualified real estate lawyer. But in October of 2016 when the claimant launched a civil suit against Trump and Epstein, an award-winning attorney filed it in the United States District Court of Manhattan, and another prominent lawyer agreed to litigate this case. Moreover, the judge accepted the case and set a December 2016 date for a status hearing.

Mainstream journalists did not report this allegation for good reason, good but not indisputable. Johnson had scheduled a press conference for November 2nd, 2016, but she cancelled it that day and, on the fourth, dropped her suit. And if claimants don’t submit to interviews, their allegations usually shouldn’t be reported. But it’s obvious that the combination of the publicly available depositions of her two witnesses and Johnson’s unusually detailed story has what police call “investigatory credibility,” the credibility needed to justify an expensive, time-consuming investigation. And perhaps on that basis alone, this allegation should be reported. Add that the accepted criteria for early published reports of claims against Harvey Weinstein appear to challenge the mainstream press’s decision in Johnson’s case.

Some observers even argued that Johnson might not be a real person, implying that her claim was entirely fake. But pictures of her appear in a well-known publication. In one of them, she was sitting beside Lisa Bloom, one of her legal advisors.

Without a claimant, of course, this allegation can’t be proven beyond a shadow of a doubt by journalists. That’s what a managing editor of a liberal newspaper said he would to establish for him to risk publishing a story that threatens a president, especially a powerful vengeful one.

But perhaps the court of public opinion will be affected by a complete version of this report. Perhaps ordinary people will react emotionally. Placards like, “Don’ let Trump near your daughter,” might proliferate. This story might dominate the news enough that he wouldn’t be able to change the subject. He then might be so unable to govern that he’d be forced to end his presidency perhaps by impeachment or by his most influential backers.

The above evidence and argument is not intended to condemn Trump. That’s not the spirit with which I’ve investigated this story. On the contrary, I’ve just published a book, Enlightened Empathy: Relief of America’s Turmoil, that’s about unconditional empathy. (Incidentally, it’s peppered with citations for the facts and professional opinions presented here.) The initial point of confronting him with his disgusting behavior is to help him, not whip up self-righteous condemnations against him. Rather, I want to help him and the electorate take seriously how more troubled and troubling he is than even his most condemning critics say. (That’s mostly what Johnson wanted to do.) He recently admitted that he doesn’t think he qualifies to get into heaven, betraying that he might be more vulnerable to feeling guilty than people think, as I try to substantiate by quoting his other self-revealing statements.

My ultimate reason for analyzing him here and in my book is to make a case for the compassionate intervention for him that’s presented in the book. The intervention is modeled on the Alcoholics Anonymous-based intervention that’s been effective in rescuing abusive men and their family from their torment.

But is there any hope that an intervention of a massively defensive person would work? Real life stories of White Supremacists and criminal sociopaths’ transformations by means of empathy alone in my book help make this prospect worth considering.

Rev. John McFadden, is an ordained Presbyterian minister and Analytic Pastoral Counselor living in Noe Valley, San Francisco. with his wife, the artist Pattie Gerrie, and their three dogs, Santo, Lionel, and Lilly.  He is the author of the new book “Enlightened Empathy: Relief from America’s Turmoil.”

”Enlightened Empathy” by Rev. John McFadden Debuts on Amazon

Media Contact:
David Perry & Associates, Inc. — (415) 676-7007 — news@davidperry.com

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“Enlightened Empathy” by Rev. John McFadden Debuts on Amazon

New book shows how an uncommon empathy is helping solve even the most difficult personal, local, and national troubles

13 November– San Francisco, CA: Enlightened Empathy: Relief from America’s Turmoil, a new book by Presbyterian minister and Analytic Pastoral Counselor Rev. John McFadden, is now available via Amazon’s Kindle Direct Publishing. Blending Jesus’s and Freud’s uncannily similar empathy, McFadden takes readers on a personal and professional journey through life’s darkness into the light of compassionately intended reason.

“There’s much talk lately even from academic psychologists that empathy not only can’t solve problems but even makes people behave worse,” says Rev. McFadden. “To counter this dismissive view, he details the real-life transformation stories of ordinary people and even sociopathic criminals and White Supremacists.

He introduces the book with a memoir of his parents’ occasional but damaging brutality against him and his struggle to gain relief from its effects. Readers, he hopes, will be inspired by the help he received from two prominent professionals, one a chaplaincy educator (also a Presbyterian minister) and the other a psychologist who became the leading exponent of the understanding Sigmund Freud created near the end of his life. McFadden’s references to dramatic literature and movies that sparked some of his most effective insights add breadth and relatability. And the high praise of his writings by six psychology professors helps explain why this only masters degree educated person felt emboldened to publish this decidedly iconoclastic book, iconoclastic partly because it challenges America’s commitment to the use of shame and guilt.

McFadden imagines that the transformation stories of sociopaths and White Supremacists give some hope that our national turmoil can be relieved, especially if the organizations that helped those people will be expanded throughout America, much as the Alcoholics Anonymous movement spread. Moreover, McFadden details that these stories also can help teach this powerful kind of empathy to conventionally empathetic leaders like Barack Obama and Hillary Clinton. His point is to enable all naturally empathic leaders to make speeches that more effectively unite Americans by deeply empathizing with both sides of every threatening conflict.

Those stories also are intended to pave the way for empathetically understanding and containing what McFadden calls “the chief instigator of our current turmoil,” Donald Trump. Strong evidence he collected partly from Trump’s public statements and his relative’s reactions to him is provided to help show that the President is more vulnerable than his “Teflon Don” nickname portends. But this analysis is not just for analysis’s sake. It is argued that a penetrating empathetic view of Trump can enable authoritative people on both sides of the political spectrum to create strategies for better containing him. In light of how unreachable Trump seems, that prospect may seem ludicrous. But, McFadden explains, “The transformations of horribly disturbed people make a beginning case that all of us can be changed, even Trump.”

The core idea: “The explanation is the solution”:
McFadden’s premise is that hidden shame and guilt are what drive destructive behavior, as many professionals believe. And shame-guilt relieving insights can sometimes quickly unlock change in individuals, groups, and even hard-line leaders. The book presents uncommonly sudden turnarounds in empathy-based clinical vignettes (from a violent offender to a panic-stricken patient) that perhaps should be studied to find therapeutic techniques that quicken therapy. And this book expands to community-scale reconciliations (e.g., small group processes for White Supremacists and the increasingly relied on Empathy Circles process), implying how guilt-shame relieving empathy can be policy-relevant, not just sympathetic.

  • PART I — Theory & Method: Why reward-punish moralism backfires; how “enlightened empathy” identifies and relieves root shame; a practical “how-to” for change. 
  • PART II — Individually and Nationally Focused Tools: Field stories of liberals and right-wing extremists reaching détente; proposals for leaders to speak and legislate with empathic precision; applications to militia movements and political rhetoric. 
  • PART III — Trump Focus: A frank review of public-record allegations of child molestation and a concrete intervention blueprint designed to reduce harm, lower national temperature, and model an empathy-based intervention that may become practical as Trump continues to devolve. 
  • Epilogue — Justice Reform: A sketch of an empathy-based justice system, restorative practices, and diversion programs that are driving down recidivism, often cutting it by half. 

Selected early readers call Enlightened Empathy “important,” “historic,” and “compelling,” noting its unusual ability to speak to believers and atheists alike and its clear, story-rich prose that moves from living rooms to courtrooms to the public square.

About the Author: Rev. John McFadden:
Rev. John McFadden earned a B.A. in Psychology (Elmhurst College, 1965) and a Master of Divinity (Perkins School of Theology, SMU, 1969). He received Advanced standing from the Association of Clinical Pastoral Educators (1970), was ordained by the Presbytery of the Redwoods (1971), and licensed by the State of California as a Marriage & Family Therapist. His career spans service as a houseparent in a boys’ reformatory, Child Protective Services worker, California Youth Authority parole agent, social worker, hospital and prison-camp chaplain, and 50 years in private psychotherapy practice. His published work has appeared in APA’s Psychotherapy: Theory, Research and Practice**, Washington Post Health, Journal of Drug Issues, and Tikkun, among others. He previously self-published Empathetic Explanation: Solving the Personal Part of Any Problem and is currently completing an autobiography.

Testimonials:
“With an unusual ability to speak to atheists and believers with equal respect and overarching language, McFadden offers as a catalyst to rescuing us from our personal, social, and even national and international strife. This is an historic effort by a thoughtful author.” — Douglas Wilkins, Speech & Debate Coach

“John points us towards a better way to influence Trump and ultimately affect our own lives. In this book, he beautifully integrates his understanding of theology, moral philosophy, psychology, and psychotherapy with his own tremendous capacity for empathy. We all have a lot to learn from John’s fine work.” — David Isenman, MD, psychoanalyst, and psychiatrist

“John, your piece I just read, [Chapter Four in the book] — The Transformation of Two Sociopaths — is worth broad consideration.” — Joan Petersilia, a former faculty co-director of the Stanford Criminal Justice Center and president of the American Society of Criminology

“Brother John’s method for transforming humanity is speculative. But his understanding of people inside makes good enough sense to engage other therapists and moral and legal policy makers in conversation. Enlightened Empathy provides a comprehensive, empathic, practical guide about how to transform conflict and to understand people who seem unreachable.” — Evelin Lindner, PhD, Founding President of Human Dignity and Humiliation Studies (Dignity Press) and author of Honor, Humiliation, and Terror: An Explosive Mix and How We Can Defuse It

“John’s unique voice is powerful, humble, and polished in its integration of the humanities and social sciences. His interventions into Trump capture the clinical imagination and are compelling and humane.” – Ernie Carpenter, MSW, LCSW, Sonoma County CA Supervisor (California), 1981–1997

Publication details:
Title:
Enlightened Empathy: Relief from America’s Turmoil
Author: Rev. John McFadden
Format: Paperback/Kindle (Amazon)

Media & Review Copies:
For interview requests, advance review copies, or to schedule a talk, please contact David Perry & Associates, Inc. at (415) 676-7007 or news@davidperry.com.

The Emotion of Framing at Capricorn and Walter Adams

The Emotional Impact of a Picture Frame: How Color and Craft Shape the Feel of a Space
— by Lloyd Haddad and Keith Wicker
Capricorn Framing and Walter Adams Framing

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Color speaks before words ever do. In interior design, it’s emotion made visible — and that includes the tones of a picture frame. At Capricorn Framing, we understand that the right frame color doesn’t just complete a piece of art; it helps define the entire mood of a room.

Just as wall colors can energize or soothe, a frame’s finish can subtly shape how art interacts with its surroundings. A gilded edge adds warmth and tradition; a cool metallic can modernize; a deep matte black can ground and dramatize. Knowing how these tones influence perception helps designers and homeowners make intentional, emotionally resonant choices.

At Capricorn Framing, collaboration is key. We work hand-in-hand with interior designers and homeowners to ensure that every custom frame supports both the aesthetic and emotional goals of a space. Whether a project calls for museum-quality preservation, sleek contemporary design, or something uniquely eclectic, our team translates creative vision into beautifully crafted results that feel exactly right.

Consulting Beyond the Frame:
Our expertise extends beyond craftsmanship. Through our design consulting services, we help clients refine presentation concepts from idea to installation — advising on materials, color coordination, lighting, and placement. For interior designers, we serve as trusted partners in visual storytelling, ensuring that each piece of art harmonizes perfectly with its environment.

If you’re planning a major project or reimagining your home’s aesthetic, now is the ideal time to consult with us. Our experience can help you make framing choices that elevate not only your artwork but your entire space.

Bold Art Deserves a Bold Frame:
Recent client projects remind us that daring design rewards the eye. One of our favorites: an iridescent contemporary artwork paired with a chrome mirror frame and separated by a black fabric mat — a striking combination that captures light and attention in equal measure.

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The San Francisco Experience Podcast Interview:
We were pleased to join Jim Herlihy’s The San Francisco Experience podcast to talk about the joys and challenges of building a small business in a creative city. When we founded Capricorn Framing, we knew it would take dedication, passion, and community support — and San Francisco has provided all three in abundance.

Our conversation explores why independent entrepreneurs are essential to the city’s artistic ecosystem and how collaboration keeps our local economy vibrant.

Listen Here:
https://www.thesanfranciscoexperiencepodcast.com/walter-adams-framing-and-capricorn-framing-a-small-business-success-story-talking-with-owners-lloy/

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The San Francisco Fall Show:
We  recently attended the Opening Night Gala of The San Francisco Fall Show, the West Coast’s premier art, antiques, and design fair. The evening celebrated creativity, craftsmanship, and community — values we hold dear at Capricorn and Walter Adams Framing.

As we approach Thanksgiving and the Holiday Season, it’s a time to reflect on what we’re grateful for: our clients, collaborators, and the creative partnerships that make our work so rewarding. It’s also the perfect time to plan your own custom framing projects — gifts that are meaningful, personal, and lasting.

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